![LA_ Sevara_Nazarkhan_01 copy.png](https://res.cloudinary.com/olex/image/upload/v1751894546/LA_Sevara_Nazarkhan_01_copy_471835513b.png)

TASHKENT, Uzbekistan – July 2025 – Three sold-out concerts by Sevara Nazarkhan at Humo Arena in early May marked the first major deployment of L-Acoustics L Series in Uzbekistan. The performances showcased the new L2 line array system deployed by YASTREB-Sound, Uzbekistan's first and only L Series rental partner.

**Sevara Nazarkhan and Humo Arena: A Perfect Match**

Sevara Nazarkhan stands as Uzbekistan's most internationally recognised musical artist, known for blending traditional Uzbek music with contemporary arrangements and for collaborating with artists like Peter Gabriel and Sinéad O’Connor. Her solo concerts at the 12,500-capacity Humo Arena drew audiences from across Central Asia, with all three performances reaching full capacity. The artist's intricate vocal arrangements and diverse instrumentation—from traditional Uzbek instruments to modern orchestration—demanded a sound system capable of reproducing every musical detail with precision and clarity.

**YASTREB-Sound Becomes First L Series Partner in Central Asia**
YASTREB-Sound, Uzbekistan's leading technical production company, became the region's first L Series partner with their L2 acquisition, and the concerts marked the system's first major deployment. The partnership was facilitated by L-Acoustics Certified Provider distributor, Sound Creations, who provided system design consultation and technical support for the deployment.

**Technical Solution for Arena Challenges**
Humo Arena's expansive interior presented significant acoustic challenges. The venue's high ceilings and challenging sightlines required a system capable of maintaining clarity and impact across long throw distances while ensuring consistent coverage throughout the space.

The solution centred on L/R L-Acoustics L2 arrays. Each L2 enclosure incorporates four discrete acoustic elements, delivering a 110° horizontal dispersion pattern that provided comprehensive coverage without additional delay towers. L-Acoustics K2 arrays served as side hangs for lateral coverage, with Kara elements handling front-fill duties. KS28 subwoofers in cardioid configuration delivered controlled low-frequency response. The complete system was optimised using Soundvision acoustic prediction software and managed through LA Network Manager.

Sound Engineer Alexander Astakhov mixed the performances on a DiGiCo Quantum 338 console. "The L2's design allowed us to achieve uniform coverage across the entire arena floor," explains Astakhov. "The clarity and power were exactly what Sevara's intricate arrangements required."

**Setting New Standards for Live Sound in Uzbekistan**
The successful deployment demonstrates both the technical capabilities of the L2 system and YASTREB-Sound's strategic positioning in the regional market. The system's operational efficiency allowed the production team to focus on creative mixing rather than managing acoustic challenges, resulting in exceptional sound quality that industry professionals noted as a significant advancement for live sound production in the region.
"This deployment showcases the potential for professional audio technology in Central Asia," comments Andrey Nikitin, International Sales Director at Sound Creations. "YASTREB-Sound's investment in L-Acoustics positions them to support the region's most ambitious entertainment projects."

The investment has already proven its value beyond technical specifications. Audience members and industry professionals noted the exceptional audio quality, with every element of Sevara's performance—from traditional instrumentation to contemporary arrangements—reaching listeners with remarkable clarity.

"The sound quality exceeded our expectations and represents a significant step forward for live sound production in Uzbekistan," reflects Astakhov. "The L2 system preserved the emotional connection between artist and audience that makes live performance so powerful."

For more information on YASTREB-Sound, visit https://yastreb.uz. Sound Creations can be found at https://sc-electronics.com.

Please visit L-Acoustics at l-acoustics.com

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts. 

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall. 


L-Acoustics

Sevara Nazarkhan's Humo Arena Concerts Showcase L-Acoustics L2 in Uzbekistan's First L Series Partnership

![LA_Polygon_LDN_01©James Ward.jpg](https://res.cloudinary.com/olex/image/upload/v1750839925/LA_Polygon_LDN_01_James_Ward_508362afc1.jpg)

Crystal Palace Park became the epicenter of a sonic revolution as Polygon Live LDN delivered the UK's largest outdoor 360° immersive sound festival from 2nd – 4th May 2025. The three-day event brought together visionary artistry and spatial audio innovation, with artists such as Jon Hopkins, Max Cooper, Cosmo Sheldrake, and Halina Rice performing specially crafted sets within Polygon's signature hemispherical dome—a space where sound moves beyond traditional stereo boundaries to surround listeners from every direction.

What began as a fundamental question—"What if listeners could be completely enveloped by sound from all around them, including overhead?"—became an experience that places Polygon at the forefront of spatial audio innovation in live music.

**Redefining the Live Music Experience**

For CEO Nico Elliott, the Crystal Palace event represents the culmination of nearly a decade spent reimagining how audiences connect with music. "We're creating audio environments where every element can move through three-dimensional space with purpose," Elliott explains. Since first integrating L-ISA technology at Thailand's Wonderfruit Festival in 2018, Polygon has been steadily refining its vision of placing audiences at the center of the musical experience rather than in front of it. The Crystal Palace debut marks its boldest statement yet about the future of live music.

"What we've created is emotionally transformative," says Polygon Director Adam Nicholas. "When sound can originate from anywhere in a 360° field and travel through space with precision, artists can paint with an entirely new palette. We're giving musicians tools to create experiences that simply cannot exist in traditional stereo environments."

**The Dome: Where Vision Meets Engineering**

Polygon's hemispherical dome is designed as an instrument for spatial storytelling. The structure houses nearly 125 loudspeakers, creating a sound field where every element can be animated in real time across three dimensions. "Traditional festivals put audiences in front of the music. We put them inside it,” notes Elliott. “With this technology, every synth line, every vocal phrase, every percussive element can move through space with choreographed precision.”

The configuration required extensive technical planning and precision engineering. Designed in-house by Polygon with support from L-Acoustics, the layout relied heavily on Soundvision software to model sound coverage and optimise speaker placement before installation. "Soundvision was absolutely essential," said Nicholas. "It allowed us to visualise complex coverage patterns and fine-tune placement with incredible accuracy."

**Artist Collaboration: Preparing for New Possibilities**

Central to Polygon's vision is its collaborative approach with performing artists. Polygon works closely with each musician ahead of their show to unlock the creative potential of the L-ISA immersive sound technology. "We're giving artists new ways to express their music," Elliott explains. "Some of our featured artists had previous experience with L-ISA technology, while others were discovering spatial audio for the first time. In every case, we provide the support and studio time they need to reimagine their material for this unique environment."

This preparation ensures that audiences experience music that has been specifically reimagined to harness the full three-dimensional potential of the dome environment.

"The response from artists has been extraordinary," Nicholas adds. "When they realise they can move elements of their compositions through space, place sounds above and around the audience, and create musical narratives that unfold in three dimensions, it opens creative possibilities they've never had before."

“My performance at Polygon Live LDN was a special one for me,” confirms artist Max Cooper. “I put a lot of work into trying to build something unique for the system. I tried to balance a club experience with full punch, with the spatial experience for full immersion. It’s one of the best live systems I’ve heard and it’s safe to say it went off.”

**Precision Sound Engineering**

L-Acoustics Certified Provider Britannia Row, a Clair Global company, supplied the immersive 12.1.4 system for the dome. The Scene System comprised four L2 speakers with eight surround hangs of two A15 Focus over one A15 Wide, while four further A10 Wide provided overhead sound. Low-end reinforcement was provided by 18 KS28 subwoofers in an end-fire configuration. Two out-fill hangs of one A15 Wide and one A15 Focus speakers sent sound to areas outside the dome. Immersive stage monitoring featured nine X15 HiQ speakers and four SB18.

Two adjacent smaller domes, a VIP area, and Front-of-House were also equipped with full immersive sound to mirror the main stage. The VIP area featured A Series for the Scene System, with X12 for surrounds and overheads, while Front-of-House used X12 for frontal, surround, and overhead. Both areas used SB18 for low-end reinforcement.

The new Sound Spaces feature in L-ISA 2025 was crucial to optimising immersive sound, with unique immersive mixes simultaneously feeding the main dome audience area, the Front-of-House monitoring area for sound engineers and a separate monitoring mix for artists on stage.

The entire system was powered by four LA7.16i, 23 LA12X, and six LA4X amplified controllers.

**Sustainable Innovation**

Beyond its sonic advantages, the L Series system, which uses 30% less wood, 60% less steel, and has a 30% smaller physical footprint compared to equivalent line source arrays, also delivers notable environmental benefits. This results in significantly lower transportation and fuel consumption requirements.

**The L-Acoustics Partnership**

"L-ISA technology gives us creative freedom that didn't exist before," said Nicholas. "For artists working in electronic, ambient, and experimental genres, it's a game-changer." All Polygon engineers have completed advanced L-ISA training, while artists receive early access to L-ISA software with binaural rendering capabilities, enabling them to prepare performances for the spatial environment.

"L-Acoustics has been an exceptional partner," Elliott notes. "We're grateful to Chris McDonnell, Vikram Kirby, Sergey Becker, Martin Wurmnest at L-Acoustics, and freelance specialist Sergey Zhytnikov for their guidance throughout the process."

**The Future of Immersive Live Music**

"Crystal Palace validated everything we believed about the power of spatial audio," Elliott reflects. "The audience response confirmed that when you transform how people experience music, you create memories that last a lifetime."

“The best part of spatial audio is that it's all about the audience and how it makes them feel — emotional connection is so important,” says artist Halina Rice. “I hope more live events will be able to use spatial audio systems in the future.”

Looking ahead, Polygon is already planning its return to Crystal Palace Park in 2026. "We've proven that full 360° immersive audio is both technically feasible and artistically essential," Elliott continues. "And this is only the beginning of what's possible."

Elliott sees Polygon's work as part of a larger evolution in live music: "What we're creating represents a fundamental shift in the relationship between artist and audience. This is the next evolution in live sound—it's an entirely new way of experiencing music."

For more information on Polygon Live LDN, please visit [https://polygon-productions.live.](https://polygon-productions.live./) 
More information on L-Acoustics and L-ISA technology can be found at [www.l-acoustics.com](http://www.l-acoustics.com/).

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts. 

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall. 



Polygon Live Delivers UK's Largest Outdoor 360° Immersive Sound Festival Experience at Crystal Palace Park

![Bluesound POWERNODE Black with JBL L52 White (tight 3-4).jpg](https://res.cloudinary.com/olex/image/upload/v1750770368/Bluesound_POWERNODE_Black_with_JBL_L52_White_tight_3_4_38ff97d445.jpg)

BLUESOUND, the original hi-res multi-room audio brand, today announces the launch of the new POWERNODE, a next-generation wireless music streaming amplifier that brings high-resolution performance and simplified AV integration into one modern component. 

Building on the brand’s legacy as the first to combine hi-res, multi-room streaming with advanced Class D amplifier technology, the new POWERNODE offers 100 watts per channel of refined DirectDigital amplification for more power and lower distortion sound—whether you’re listening to music or watching movies. The POWERNODE marks a new chapter in Bluesound’s commitment to delivering high-fidelity sound without the complexity of traditional AV setups. With upgraded amplification, intuitive controls, and smarter home integration, the POWERNODE transforms everyday listening.

“The POWERNODE has always stood at the intersection of performance and simplicity,” said Morten Nielsen, Associate Product Manager, Bluesound. “This evolution expands its capabilities while staying true to our vision of delivering HiFi quality sound without compromise.” 

**Simple AV for Home**

At the heart of Bluesound’s philosophy is a deep understanding that today’s listeners aren’t just looking for technical prowess — they’re seeking products that blend seamlessly into their daily lives. The new POWERNODE is a direct response to this shift. More than just a stereo amplifier, the POWERNODE is a complete home audio system. It’s designed for people who want powerful sound in a simple, streamlined package — a way to stream music and enjoy TV without the clutter and confusion of multiple boxes, remotes, or wires.  

With support for HDMI eARC and the ability to add a center channel speaker alongside left and right channels, the POWERNODE eliminates the need for bulky AV receivers. Thanks to its wireless surround capabilities, users can add Bluesound PULSE wireless speakers and a PULSE SUB+ to build a full 5.1 surround system — all without losing the minimalist aesthetic that modern homes demand. 

"With the new POWERNODE, we're not just delivering hi-res audio," said Matt Simmonds, Product Manager, Bluesound. "We’re delivering a new way to experience music and home entertainment — one that’s powerful, flexible, and designed around how people actually live.”
Upgraded Power and Performance

The new POWERNODE features an updated circuitry design with signal path improvements, Bluesound’s latest DirectDigital amplification and gallium nitride (GaN) transistor technology, delivering 100 watts per channel in stereo mode and 80 watts per channel in a 3.1 system configuration. The result is pristine, dynamic sound with virtually no distortion—the kind of detailed fidelity that Bluesound customers have come to expect. This enhanced performance ensures that the POWERNODE isn’t just about convenience. It’s also about audiophile-grade sound. Whether it’s subtleties of a music track or the cinematic intensity of a film, the POWERNODE faithfully reproduces every nuance with depth, clarity, and control.

**Multi-Room Music with BluOS**

As with all Bluesound products, the POWERNODE is built with BluOS, the award-winning multi-room streaming platform. BluOS supports more than 20 streaming services — including TIDAL, Qobuz, Spotify, Amazon Music, and Deezer — and provides access to high-resolution formats up to 24-bit/192kHz, MQA, and DSD256 playback. Users can stream their personal libraries, listen to internet radio, or sync music across multiple rooms using other BluOS-enabled products. The BluOS Controller app, available on iOS, Android, macOS, and Windows, offers a seamless and intuitive way to browse, control, and enjoy music — from anywhere in the home. 

**Intuitive by Design**

The new POWERNODE reflects a refined industrial design with a sleek, compact form factor finished in matte black or white. A glass touch panel with proximity sensor offers responsive controls and five programmable presets, allowing users to instantly start playback without picking up a phone or tablet. Whether it’s placed on a credenza with bookshelf speakers, or integrated into a full home entertainment system, the POWERNODE is designed to look as good as it sounds.  

Key Features Include:

- Upgraded DirectDigital Amplification delivering 100W x 2 or 80W x 3 with center channel support for flexible system configurations. 
- HDMI eARC and BluOS enabling easy integration and the ability to access your favorite music streaming services and apps. 
- Full glass touch panel with proximity sensor and five programmable quick touch presets. 
- Seamless connectivity including USB-C audio input, optical and analog inputs, aptX Adaptive Bluetooth and 6.3mm headphone output powered by a dedicated headphone amplifier with THX AAA, the world’s most liner headphone amplification technology.  
- Dirac Live Ready for precise room correction and audio tuning. 

**Pricing and Availability**

•	The POWERNODE will be available for pre-order starting August 12, 2025, at €1099 EUR and £899 GBP on bluesound.com and at participating Bluesound dealers in both Black and White finishes. The POWERNODE will begin shipping to customers and available at dealer locations starting September 10, 2025. 

•	Additional product information, photography, and technical specs available [here](https://brandlibrary.lenbrook.com/portals/Powernode). 
 
# # #

ABOUT BLUESOUND

An alliance of audiophiles. We are the designers, engineers and individuals who have spent our lives in the music industry. Our founders helped pioneer HiFi in the 70s – innovation and the pursuit of perfection in audio runs deep in our collective DNA. Bluesound’s sole mission is to create innovative wireless audio products and technologies that allow for the most true-to-live performance music reproduction possible, utilizing the most advanced, state-of-the-art digital technology. 





Bluesound

Bluesound Introduces New POWERNODE

![LA_Alpexpo_L'Auditorium_01©Princesse Photographie.jpg](https://res.cloudinary.com/olex/image/upload/v1750156563/LA_Alpexpo_L_Auditorium_01_Princesse_Photographie_ad2d0fc13f.jpg)

When Alpexpo recognised that event organisers needed something between Grenoble’s massive arena’s and intimate live venue, —they didn't just renovate. They revolutionised. The result: an ingenious 'box in a box' concept that carves out a state-of-the-art 3389 square meter auditorium within their existing Greater Hall, powered by an L-Acoustics L Series professional sound system.

This architectural feat transforms what was once a traditional exhibition space into a chameleon-like venue that adapts seamlessly between intimate seated concerts for 1,495 and energetic standing shows for 2,100. The real magic happens in the transitions—where comedy shows morph into corporate presentations, where business conventions become live concert halls, and where every configuration delivers an unforgettable sonic experience.

**Engineering Versatility**

"Our challenge was creating an adaptable system that could be everything to everyone – pristine audio whether hosting a morning keynote or an evening concert – and the transformation had to be instant," recalls Antoine Maurel, Sales & Installation manager at L-Acoustics Certified Partner M+ Equipment, part of M Group. "They wanted to build a complete auditorium inside their existing hall”

The challenge went beyond mere logistics. For over five decades, Alpexpo—a venue with Olympic heritage dating to 1968—has served as the Alps region's premier event destination. But evolving audience expectations and a growing demand for venues that could handle everything from stand-up comedy to hybrid and immersive multimedia experiences, the traditional approach no longer sufficed.

**Engineering the Sound Solution**

“With the existing attachment points, we needed to have a lightweight and efficient system adapted to the type of events, hence the L2,” Maurel adds.

The answer came through the exceptional weight-to-power ratio of the L Series meaning the team could deploy a full concert-grade line array system: two L2D arrays as the main system, complemented by three flown KS21 subwoofers per side in cardioid configuration for controlled low-frequency management. A centre cluster featuring A10 Wide and A10 Focus speakers ensures perfect coverage for the first audience rows.

"The L Series gave us something we couldn't achieve before," Antoine Maurel explains. "Through advanced DSP processing, we can completely transform the acoustic environment. No manual intervention, no compromise on quality—just instant adaptation to whatever the event demands."

The installation includes sophisticated monitoring solutions with permanently hung A10 speakers and mobile X8 units, plus six additional X8 speakers for stage lip coverage when needed. Every element was meticulously modeled using Soundvision software, giving stakeholders—including venue management, structural engineers, and government consultants—complete confidence in the coverage and performance.

**Racing Against Time**

Perhaps most remarkably, the entire project—from initial concept to opening night—was completed in just a few months. This rapid execution required unprecedented coordination between all parties, with M+ Equipment working alongside Alpexpo's team to ensure every deadline was met without compromising quality.

"L-Acoustics systems are installed throughout our region, and their reputation for excellence made them our natural choice," notes Jérôme Riff, Managing Director of Alpexpo. "But what truly impressed us was how this solution goes beyond sound. It's enabled us to reimagine what our venue can be—from hosting agricultural conferences in the morning to world-class performances that evening, creating memorable experiences. This flexibility doesn't just serve our business needs; it enriches our entire community's cultural life."

**A New Chapter Begins**

By creating a sophisticated performance space within an existing structure, the Alpexpo team has not only solved their own challenge but provided a blueprint for other venues facing similar constraints. "It's not just a sound system; it's a complete ecosystem that reflects our venue's ability to adapt and excel," concludes Riff. "We've created something truly unique for the Grenoble region—a space that can be whatever our community needs it to be."

For more information on the Alpexpo project, please visit [https://alpexpo.com](https://alpexpo.com).
More information on L-Acoustics can be found at [www.l-acoustics.com](https://www.l-acoustics.com/)

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts. 

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall. 




L-Acoustics L Series Transforms Alpexpo's Ambitious 'Box in a Box' Venue Vision Into Reality

![Shure ANX4 copy.png](https://res.cloudinary.com/olex/image/upload/v1749664199/Shure_ANX_4_copy_0899a52d9c.png)

Today, Shure introduced new levels of scalability and flexibility to its best-in-class wireless systems. New innovations include:

**[ANX4 Scalable Wireless Receiver]**(https://www.shure.com/en-GB/products/wireless-systems/anx/anx4): This ultimate high-tier, high-channel count wireless receiver is the first Shure wireless receiver featuring channel scalability, offering up to 16 channels of [Axient® Digital](https://www.shure.com/en-GB/products/wireless-systems/axient_digital?variant=Axient%2520Digital) or 24 channels of [ULX-D®](https://www.shure.com/en-GB/products/wireless-systems/ulx-d_digital_wireless) in a single device via channel licenses. ANX4 hardware is available this fall through authorised dealers. Channel licenses¹ can be purchased through authorised dealers or at Shure.com.
 
**Channel Expansion and New Transmission Mode for [Axient® Digital PSM**](https://www.shure.com/en-GB/products/in-ear-monitoring/adpsm?variant=Axient%25C2%25AE%2520Digital%2520PSM): This summer,  Channel Expansion capability and Axient Digital Standard Transmission Mode will be available for Axient Digital PSM as a firmware update through [ShureCloud](https://www.shure.com/en-GB/support/shurecloud) or the Shure Update Utility. Channel Expansion licenses can be purchased through authorised dealers or at Shure.com this fall.  
 
**Channel Scalability**: Add up to 12 stereo audio channels for the ADTQ quad transmitter and 6 for the ADTD dual transmitter, totalling 16 or 8 stereo channels, respectively. Channel expansion licenses²  can be purchased through Shure.com or from existing authorised dealers.
 
**Axient Digital Standard Transmission Mode**: Enables ADTQ and ADTD transmitters to send wireless audio to various Axient Digital microphone receivers, extending high-power, long-distance audio transmission capabilities.
 
**ULX-D Wide-Tuning Solutions:** New transmitters and receivers, shipping in the United States this autumn, will provide an expanded frequency range and greater geographic usability for the acclaimed ULX-D Wireless System. New wide tuning ULX-D components are compatible with the scalable ANX4 Digital Wireless Receiver.

Once channel licenses are purchased for ANX4 or Axient Digital PSM, they can be activated by the owner and later reallocated to other hardware units of the same type through ShureCloud. For example, an audio professional can deploy their licensed ANX4 channels between any number of ANX4 receivers and likewise deploy their licensed Axient Digital PSM channels between any number of Axient Digital PSM transmitters. This flexibility allows users to move wireless channels without having to move their hardware, making it easier to meet the changing requirements of high channel count productions.

“Shure continues to innovate with powerful wireless technology that can adapt to fit the dynamic needs of our customers,” said Nick Wood, Associate Vice President of Marketing & Product Management for Professional Audio at Shure. “These solutions are intended to increase the flexibility of our products while bringing together hardware and software capabilities that allow audio professionals to do more with the overall solution.”

**Shure ANX4 Scalable Wireless Receiver**

ANX4 is a scalable device which can be operated in either Axient Digital or ULX-D mode, supporting all available transmitter options in those platforms. It ships without preconfigured wireless channels and can be activated to support any channel count up to its maximum capacity using ShureCloud. This innovative design empowers users to buy channel licenses in the quantity they need and provision these across multiple ANX4 hardware units, enabling unmatched flexibility for high channel count productions. Available in AC and DC powered versions, the ANX4 includes a wide tuning range of 174 MHz to 2 GHz and two pairs of antenna inputs that can each be tuned up to 72 MHz wide.  

The single rack receiver maximises efficiency by using less space and reducing heat, offering a cost-effective solution at high channel counts, without compromising on Axient Digital’s and ULX-D’s existing features. This is ideal for audio rental companies, fixed installations, and location sound mixers, as it reduces the space and weight typically required for high channel count solutions.

Enhanced connectivity options on ANX4 include four Ethernet and four coaxial antenna inputs for streamlined configuration, with no need for additional antenna distribution gear. Additionally, ANX4 features a large, 6.6-inch front panel colour display, support for all ULX-D and Axient Digital frequency bands, Dante/AES67 outputs, and a ¼ inch front-panel headphone connector for convenient monitoring. ANX4 also supports network control with Shure Wireless Workbench® for comprehensive, remote RF monitoring and management.

ANX4 hardware is available through authorised dealers. Channel licenses are required for operation and can be purchased through authorised dealers or at [Shure.com](https://www.shure.com/).

**Shure Axient Digital PSM Channel Expansion & Standard Transmission Mode**

Since its debut last year, Axient Digital PSM has become an award-winning addition to Shure’s Axient Digital Wireless Ecosystem. The new firmware update, available through ShureCloud or the Shure Update Utility this summer, will continue to underscore Shure’s commitment to moving the industry forward with innovative and scalable solutions. Two significant updates include:

**Channel Expansion:** Axient Digital PSM transmitters can be outfitted with expanded channel capacity, utilising the multi-channel wideband (WMAS[1]) transmission capabilities to support up to 16 stereo audio channels for the ADTQ quad transmitter and eight for the ADTD dual transmitter.  The channel expansion consolidates the use of rack space while reducing weight and adding new options for adapting the system to fit a variety of use cases. Expansion is available through the purchase of channel licenses—one- and four-count increments. Channel expansion licenses can be purchased through existing authorised dealers or at Shure.com, available this fall.

**Axient Digital Standard Transmission Mode (Point to Point Transmission):** Deliver high-tier wireless audio across much greater distances when needed by using Axient Digital PSM ADTQ and ADTD transmitters to pass wireless audio to Axient Digital wireless microphone receivers, including the AD4Q, AD4D rack receivers. The ADTQ and ADTD deliver higher-tier wireless audio across greater distances due to their higher RF output power compared to standard Axient Digital bodypack transmitters.

**ULX-D Wide Tuning Wireless System**

The new ULX-D Wide Tuning Wireless components include transmitters and receivers that will ship with expanded frequency bands – up to 166 MHz wide (regionally dependent), giving audio professionals flexibility to use their ULX-D components in more locations across the country with fewer frequency bands to manage.

ULX-D Wide Tuning frequency range availability varies around the world based on regional regulatory requirements:

In the United States, up to 138 MHz
In Europe and Latin America, up to 166 MHz
In other countries, range will vary based on individual regulatory requirements 
New ULX-D components updated with Wide Tuning Bands include:

ULXD1 Bodypack Transmitters
ULXD2 Handheld Transmitters
ULXD4D Dual Channel Receivers
ULXD4Q Quad Channel Receivers
New wide tuning ULX-D components are compatible with the scalable ANX4 Digital Wireless Receiver. Legacy ULX-D tuning band transmitters will work with wide-tuning receivers. Likewise, legacy ULX-D tuning band receivers will work with new wide-tuning transmitters as long as frequency ranges match.  

ULX-D Wide Tuning Wireless System components will begin shipping this autumn.

For additional information, please visit http://www.shure.com/. Visit Shure on the show floor at Booth #2843 to explore these and other new solutions and to learn more about the Company’s vision for the next 100 years.  

¹ The availability of channel license features is subject to regional regulations and may vary accordingly. Contact your Shure local representative for specific details in your area.
² The availability of channel license features is subject to regional regulations and may vary accordingly. Contact your Shure local representative for specific details in your area.
³ The availability of WMAS features is subject to regional regulations and may vary accordingly. Contact your Shure local representative for specific details in your area.

###

**About Shure**
Shure (www.shure.com) has been helping people sound extraordinary for 100 years. Founded in 1925, the Company is a leading global manufacturer of audio equipment known for quality, performance, and durability. We make microphones, wireless microphone systems, in-ear monitors, earphones and headphones, conferencing systems, and more. For critical listening, or high-stakes moments on stage, in the studio, and from the meeting room, you can always rely on Shure. 

Shure Incorporated is headquartered in Niles, Illinois, in the United States. We have more than 30 manufacturing facilities and regional sales offices throughout the Americas, EMEA, and Asia. 
 



Shure

Shure Innovations Bring Transformative Scalability and Flexibility To Leading Wireless Systems

![LA_Shu_Amsterdam_01 © Chantal Arnts.jpg](https://res.cloudinary.com/olex/image/upload/v1749664979/LA_Shu_Amsterdam_01_Chantal_Arnts_5e950f039b.jpg)

A new addition to Amsterdam's vibrant nightlife, SHU has quickly established itself as the city's premier destination for sophisticated evening entertainment. The exclusive, guest-list-only venue transitions nightly from relaxed cocktail lounge to energetic dance floor, filling a specific niche in Amsterdam's entertainment landscape. SHU was created by experienced venue owners who identified an opportunity to serve professionals seeking a more refined nightlife experience. The concept caters to a clientele that appreciates premium cocktails in an elegant setting that can still deliver nightclub energy when desired.

When developing the venue's sound concept, SHU's owners approached L-Acoustics Certified Partner Audio Solvation via production company, Air Light Holland, with a specific challenge: deliver sophisticated audio that could transform the space each night while respecting the urban location, which includes residential apartments directly above the venue. Having successfully implemented L-Acoustics systems in their other establishments, the owners knew this technology could provide the perfect solution for SHU's unique requirements.

"The professional PA system serves as the primary transition element that transforms the space from cocktail lounge to nightclub atmosphere," explains Tom Dohmen, Technical Sales at Audio Solvation. "We needed to deliver impact and feeling while respecting the urban setting."

Using L-Acoustics Soundvision, Audio Solvation created detailed projections to demonstrate the proposed design and system impact before installation. This visualisation helped SHU's owners understand how the sound would behave in their uniquely configured space, which includes a lounge entrance area, central bar, and VIP section.

The implemented system features an array of L-Acoustics X Series components strategically positioned throughout the venue. Five 5XT compact coaxial speakers cover the entrance lounge, while the central bar area is served by four X8i coaxial speakers paired with SB15m subwoofers for enhanced low-frequency presence. The VIP area features dedicated coverage via two additional X8i speakers. DJ monitoring is provided by one 5XT speaker. The entire system is powered by two LA4X and one LA2Xi amplified controllers.

Following the installation, Audio Solvation conducted acoustic measurements both inside the venue and in the residential apartments above, tuning the system to minimise noise impact on neighbours while maintaining the desired atmosphere. During special events like the Amsterdam Dance Event, one of the world's premier electronic music festivals, SHU participates fully in the city-wide celebration by adjusting the acoustics to accommodate international DJs requiring the system's full potential.

The L-Acoustics installation has proven critical to SHU's success by delivering the precise audio experience required for this concept. "The owners are extremely satisfied with what we've delivered," says Dohmen. "The L-Acoustics system provides exactly the refined, high-energy experience they wanted. When the sound is just right, the atmosphere transforms and the entire room instantly comes alive."

“At SHU Amsterdam, the sound is everything – the L-Acoustics system has become the beating heart of our venue, says experienced hospitality entrepreneur Giovanni de Capitani one of the founders of SHU Amsterdam. “It gives us incredible versatility, allowing us to create the perfect atmosphere while delivering powerful sound that our guests can truly feel. This sophisticated sound design has been essential in us creating Amsterdam’s most premium nightlife experience.”

For more information about SHU Amsterdam, visit [www.shuamsterdam.com/](https://www.shuamsterdam.com/)
Learn more about L-Acoustics at [www.l-acoustics.com](https://www.l-acoustics.com/).

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.  

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies. 

With major hubs in Paris, Los Angeles, London, and Singapore and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences, from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.  


SHU Amsterdam Creates a Premium Nightlife Experience in an Urban Setting with Refined L-Acoustics Sound Design

![LA_Andrea_Bocelli_01.jpg](https://res.cloudinary.com/olex/image/upload/v1749136587/LA_Andrea_Bocelli_01_a90e891255.jpg)

When Andrea Bocelli's production team discovered they could deploy a sophisticated 7.1 spatial audio system faster than a standard stereo configuration, they knew they had found something revolutionary. This efficiency, combined with L-Acoustics L-ISA Hyperreal Sound technology's ability to create intimate concert experiences in vast arenas, transformed the beloved tenor's recent UK tour, culminating in a spectacular performance at London's O2 Arena.

**Breaking the Speed Barrier in Classical Production**

"It was actually faster to load in an L Series 7.1 configuration than a standard line array stereo setup," reveals Davide Lombardi, Bocelli's front-of-house engineer. This efficiency breakthrough, delivered through the new L-Acoustics L Series and provided by Certified Partner Britannia Row Productions, a Clair Global company, shattered preconceptions about spatial audio deployment while solving one of classical music's greatest challenges: creating genuine intimacy in arena-scale venues.

The tour featured Bocelli himself, accompanied by a 69-piece orchestra and 60-voice choir, plus special guests which varied each night. Having over 120 performers with approximately 100 open microphones onstage created a complex sonic landscape that demanded both precision and clarity.

**From Poland to the O2: Building on Success**

The decision to implement L-ISA technology stemmed from a successful collaboration with Fotis Sound’s L-ISA Sound Engineer Jerzy Kubiak and System Engineer Alessandro Cestaro who had previously deployed the immersive audio platform for Bocelli's performances in Poland. That experience proved transformative for the entire creative team, demonstrating the full potential of spatial audio technology for classical performances in challenging venues.

The transformation from stereo to immersive was so profound that during Dublin rehearsals, Bocelli himself ventured into the audience area to experience what his fans were hearing. "He was almost envious," Lombardi recalls. "He said, 'I wish I could hear what they're hearing on stage.' That moment validated everything we were trying to achieve."

This reaction came from experiencing how effectively L-ISA technology handled the production's complexity. The spatial separation achieved through the 7.1 configuration provided exceptional clarity and localisation, maintaining the delicate balance between Bocelli's voice and the full orchestral arrangement even in the challenging acoustic environment of a 20,000-seat arena.

**The Technical Edge: Precision Meets Efficiency**

For the O2 Arena, Brit Row deployed a comprehensive L-ISA configuration featuring nearly 100 speakers and 40 amplified controllers in a 7.1 spatial configuration, designed by Systems Engineer Alessandro Cestaro. The setup included a Scene System of five hangs of L2 and L2D, with two further L2/L2D L/R Extension hangs per side. Two hangs of KS28 subwoofers were centrally flown. Onstage, X8 provided spatial front-fill while KS21 subwoofers were ground-stacked in front of the stage. Side-fill to the 270° seating areas were covered by flown side hangs of L2 and L2D and ground-stacks of KS21 subwoofers in cardioid, topped by A10 Wide and Focus. The entire system was powered by LA7.16 and LA12X amplified controllers.

The L2 system's cardioid design proved crucial in challenging arena acoustics. "L2 provides extremely precise high-frequency control, allowing us to direct sound exactly where needed," explains Lombardi. "The inherent cardioid pattern minimises stage bleed, giving performers better monitoring while maintaining pristine front-of-house sound."

**Redefining the Classical Concert Experience**

The L-ISA configuration's success lies in its sophisticated object-based mixing capabilities, controlled through the L-ISA Processor and Controller software. This allowed Lombardi to maintain precise dynamic control across the entire 100-speaker system while preserving the natural acoustic relationships between performers – a critical requirement for classical repertoire where artificial enhancement would be immediately apparent to discerning audiences.

"My ultimate goal is transparency," Lombardi emphasizes. "I want audiences to forget they're in a 20,000-seat arena and feel they're in an intimate theatre, actively participating rather than passively observing."
This philosophy aligns perfectly with Bocelli's artistic vision. Known for his extraordinary attention to detail and exceptional hearing, Bocelli asks his team to ensure that every audience member – from front row to rafters – experiences the full emotional impact of the performance.

**Setting New Standards**

The success of Bocelli's UK tour represents a significant advancement for classical performances in large venues. By proving that sophisticated spatial audio systems can deploy faster than traditional setups while delivering superior artistic results, L-Acoustics and Britannia Row Productions have redefined what's possible in live classical music production.

"What makes Bocelli truly extraordinary is his incredible attention to detail combined with genuine humility," Lombardi reflects. "When an artist of his caliber turns to you after experiencing L-ISA and says, 'This is what music should sound like,' you know you've created something special—something that serves both the art and the audience in equal measure."

For more information on L-Acoustics L-ISA technology, please visit [www.l-acoustics.com/products/l-isa](https://www.l-acoustics.com/products/l-isa-controller/)
More information on Britannia Row Productions can be found at [www.britanniarow.com](https://www.britanniarow.com/)

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts. 

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall. 



L-Acoustics L-ISA Technology with L Series Transforms Andrea Bocelli's UK Tour  with Revolutionary Speed and Sonic Intimacy

![LA_La Villette_01.jpg](https://res.cloudinary.com/olex/image/upload/v1748509929/LA_La_Villette_01_5b5d04eb3a.jpg)

In the northeast corner of Paris, the sprawling 55-hectare Parc de la Villette has evolved into one of Europe's most dynamic cultural districts where science, music, and art converge. This vibrant urban park hosts an exceptional concentration of cultural institutions, from the acoustically renowned Philharmonie de Paris to Europe's largest science museum, the Cité des Sciences et de l'Industrie. Dominating the landscape is the breathtaking Grande Halle de la Villette, with its distinctive 19th-century industrial architecture featuring soaring glass and intricate cast iron framework. Originally commissioned by Napoleon III as an abattoir in 1867, this impressive 20,000-square-meter structure was reimagined as a versatile cultural venue in 1985, now showcasing everything from international art exhibitions to rock concerts to avant-garde theatrical productions.

Building on a long-standing partnership with L-Acoustics that began with one of the world's first V-DOSC installations in the mid-1990s and continued with a K3 system upgrade in 2022, the Grande Halle has now reinforced its position at the forefront of performing arts technology with an L-Acoustics L-ISA Immersive Hyperreal Sound system featuring L-Acoustics newest eco-conscious L Series line source arrays. The L Series combines sustainable manufacturing practices with energy-efficient amplification technology, reducing the system's overall carbon footprint while delivering uncompromised audio performance. The installation also includes a dedicated pre-production studio with L-Acoustics X Series coaxial speakers, completing the comprehensive L-ISA ecosystem at the Grand Halle.

The semi-permanent 1,400-capacity Charlie Parker performance space, constructed each spring and operational for six months, serves as the primary home for the new L Series L-ISA system—continuing a tradition of audio innovation that began when the venue hosted the world's first major live event using L-ISA technology during the 2016 Jazz à La Villette festival.

"We've observed a significant shift in production requirements over recent years," explains Olivier Olry, Head of Audiovisual at La Villette. "Increasingly sophisticated dance and theatre companies are specifically requesting immersive audio capabilities in their technical riders. Rather than merely keeping pace with this trend, we decided to position ourselves at its leading edge by investing in a complete L-Acoustics L-ISA ecosystem."

The ambitious project emerged through close collaboration between La Villette's technical team and L-Acoustics Certified Partner B Live. Alexandre Tramontin, Technical Director at B Live, who designed the solution through continuous dialogue with La Villette's technical staff explains that "the requirements for both the Charlie Parker theatre and the dedicated pre-production studio demanded meticulous planning to integrate seamlessly with existing workflows whilst delivering unprecedented spatial audio capabilities."

Implementing immersive audio technology within a protected historical structure presented considerable challenges. The Grande Halle's soaring glass ceiling and metal framework required a creative solution to deliver consistent spatial imaging throughout the performance space.

"The physical constraints were significant when planning the five L2 array positions needed for the L-ISA implementation," Olry explains. "Beyond typical acoustic considerations, we needed to respect the building's architectural integrity whilst maintaining ideal sightlines. The L Series exceptional size-to-performance ratio proved crucial, allowing us to achieve proper coverage without overwhelming the space visually."

The Charlie Parker performance space features five hangs of one L-Acoustics L2 over an L2D spread across the stage, while 13 X8i across the stage lip provide spatial front-fill. Two centrally flown cardioid arrays of three KS28 subwoofers provide controlled low-frequency reinforcement. Twelve X12 coaxial loudspeakers – four each on the side and back walls – provide surround sound. The entire system is driven by 11 LA7.16, two LA12X and three LA4X amplified controllers.

The L-ISA technology at La Villette fundamentally transforms how different performance types connect with audiences. For dance productions, choreographic movements can now be precisely tracked and sonically mirrored throughout the space, creating a synesthetic experience where sound follows motion. Theatrical performances benefit from voice localisation that anchors performers' positions regardless of audience sightlines, while contemporary music showcases can now envelop listeners in three-dimensional soundscapes that transcend traditional stereo limitations.

"What's particularly revolutionary is how L-ISA adapts to each artistic discipline," notes Tramontin. "From the subtlest theatrical whisper precisely positioned in space to explosive musical moments that completely surround the audience, the system's flexibility matches the creative versatility of La Villette's programming."

The purpose-built pre-production studio features a permanently installed coaxial L-ISA setup utilising X8i and X6i speakers and Syva subwoofers. Using L-ISA Scale Simulation, the studio environment can mimic the Grand Halle, allowing for easy transfer and optimisation during pre-production. Both environments employ L-ISA Processor II for spatial audio rendering and signal management. A Yamaha PM7 RIVAGE digital mixing console with L-ISA DeskLink integration provides intuitive control over spatial parameters directly from the mixing desk.

With the system now operational, La Villette's technical team has begun exploring additional technologies, including performer tracking systems for dynamic spatial positioning in real-time. The initial response from creative teams has been overwhelmingly positive. The L-ISA Stereo Mapper functionality, a feature within the L-ISA 3.0 platform that allows users to seamlessly integrate existing stereo content into an immersive L-ISA speaker configuration, provides an additional safety net, ensuring productions remain coherent even when translated to traditional stereo formats.

"With this landmark installation, La Villette not only houses one of the most comprehensive L-Acoustics ecosystems in Europe but serves as a beacon for the future of immersive performance," concludes Olry. "The L Series with L-ISA technology doesn't just reproduce sound—it fundamentally transforms how audiences connect with artistic expression in this historic space, bridging centuries of cultural heritage with sound innovation that must be experienced to be fully understood."

For more information on La Villette visit: [https://www.lavillette.com/en/](https://www.lavillette.com/en/)

For more information on L-Acoustics visit: [https://www.l-acoustics.com/](https://www.l-acoustics.com/)

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.  

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies. 

With major hubs in Paris, Los Angeles, London, and Singapore and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences, from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.  

La Villette Transforms Historic Space into Immersive Audio Experience for Diverse Performances with L-Acoustics L-ISA Hyperreal Immersive Sound

![Intellimix FS and MXN6.png](https://res.cloudinary.com/olex/image/upload/v1748509173/Intellimix_FS_and_MXN_6_4a068f7983.png)

[Shure](https://olex.createsend1.com/t/y-i-qlyiljl-l-y/), a leading manufacturer of audio solutions for collaboration, will be landing in Orlando, Florida 11th – 13th June as a headline partner for [InfoComm 2025](https://olex.createsend1.com/t/y-i-qlyiljl-l-j/). Celebrating 100 years of innovation, Shure demonstrates its continuous dedication to the AV industry by revealing groundbreaking solutions for all professional environments.

Ahead of the show, Shure is announcing two new conferencing solutions that will enable AV and IT integrators to better support varied meeting spaces.

**IntelliMix™ Foundation System for Collaboration**
In January, Shure introduced its [IntelliMix™ Room Kits](https://olex.createsend1.com/t/y-i-qlyiljl-l-i/): complete, Certified for Microsoft Teams Room Kits with class-leading audio and video performance for small to large meeting rooms. Now, the Company announces that the powerful compute and touch panel included in the room kits will be offered as a standalone base kit—the [IntelliMix Foundation System](https://olex.createsend1.com/t/y-i-qlyiljl-l-d/) - enabling qualified AV professionals to mix and match with Shure’s versatile [Microflex® Ecosystem portfolio](https://olex.createsend1.com/t/y-i-qlyiljl-l-h/) of microphones and loudspeakers and complementary third-party camera and control products.

“Shure has been offering superior, durable, and state-of-the-art technology that addresses unique user demands for 100 years. We maintain continuous conversations with our customers and partners, enabling us to integrate their input into our solutions, as we have done with the new IntelliMix Foundation System,” said Sam Sabet, Chief Technology Officer, at Shure. “With the new base kit, AV installers have even more flexibility to build their dream team of conferencing products to create people-centric meeting experiences, which is what organisations are looking for.”

The IntelliMix Foundation System is Certified for Microsoft Teams, with the compute featuring comprehensive, built-in IntelliMix® Room digital signal processing (DSP) optimised for Shure solutions, and the high-resolution touch panel providing intuitive meeting control.

Paired with Microflex Ecosystem solutions and effortlessly configured using [Shure Designer](https://olex.createsend1.com/t/y-i-qlyiljl-l-k/) software, the system delivers pristine and secure audio quality, while being quick to install and scale. Integrators and AV professionals are able to easily manage bespoke Shure solutions from anywhere via [ShureCloud](https://olex.createsend1.com/t/y-i-qlyiljl-l-u/).

**Microflex™ MXN-6 Networked Pendant Loudspeaker**
Making its first appearance at InfoComm 2025, the [Microflex MXN-6 Networked Pendant Loudspeaker](https://olex.createsend1.com/t/y-i-qlyiljl-l-b/) offers high-quality speech reproduction for AV conferencing and is the latest addition to the Microflex Loudspeaker lineup, expanded at ISE 2025. Combined with Microflex Advance Array Microphones and IntelliMix DSP solutions, the PoE-powered MXN-6 fits perfectly in a Shure-networked conferencing audio system and delivers premium audio performance, while eliminating the need for an additional outboard amplifier.

The new loudspeaker supports standards-based security protocols for managing access and protecting data, including 802.1X authentication and AES audio encryption. With the Designer 6 System Configuration Software, users can design and deploy every device within the Microflex Ecosystem signal chain and remotely manage device status through ShureCloud.

The MXN-6’s pre-tuned frequency response is optimized for voice intelligibility in AV conferencing applications. Best of all, the sleek, attractive industrial design of the MXN-6 complements a wide variety of open-ceiling installation types often found in today’s collaboration spaces. 

The IntelliMix Foundation System and Microflex MXN-6 Networked Pendant Loudspeaker will be on display at InfoComm 2025, along with other Conferencing, Professional Audio, and Content Creation solutions, including:

·       [IntelliMix Room Kits - Microsoft Teams Rooms solutions](https://olex.createsend1.com/t/y-i-qlyiljl-l-n/)
·       [Microflex Loudspeaker Portfolio](https://olex.createsend1.com/t/y-i-qlyiljl-l-p/)
·       [Microflex Wireless (MXW) neXt 4 and neXt 8 Microphone System](https://olex.createsend1.com/t/y-i-qlyiljl-l-x/)
·      [ MoveMic 88+ Wireless Video Microphone](https://olex.createsend1.com/t/y-i-qlyiljl-l-m/)
·       [Axient® Digital PSM Advanced Digital In-Ear Monitor System](https://olex.createsend1.com/t/y-i-qlyiljl-l-c/)
·       [SLX-D Quad-Channel Digital Receiver](https://olex.createsend1.com/t/y-i-qlyiljl-l-q/)
·       [MV7i Smart Microphone and Interface](https://olex.createsend1.com/t/y-i-qlyiljl-l-a/)

For attendees to experience extraordinary sound, an enclosed Innovation Lab showcasing the latest Shure technology will be at the centre of the Shure booth at the show. Partners, attendees, and other industry friends can visit the Innovation Lab for presentations, workshops, product briefings, and inspiring conversations.

For media, partners, and content creators seeking a state-of-the-art space to record content and roundups, there will be an enclosed Media Hub fully equipped with [Shure SM7dBs](https://olex.createsend1.com/t/y-i-qlyiljl-l-w/) and video available for booking freely.

Visit Shure on the show floor at Booth #2843 to explore these and other new solutions and to learn more about the Company’s vision for the next 100 years.  

The IntelliMix Foundation System will be available in Americas and Europe in Summer. The Microflex MXN-6 Networked Pendant Loudspeaker will be available in early 2026. Contact your local Shure representative to get more details on availability in your market.

For more information on the IntelliMix Foundation System and MXN-6 Networked Pendant Loudspeaker, visit: [www.shure.com/imxf5](https://olex.createsend1.com/t/y-i-qlyiljl-l-yd/) and [http://www.shure.com/loudspeakers](https://olex.createsend1.com/t/y-i-qlyiljl-l-yh/).

**About Shure**

Shure ([www.shure.com](www.shure.com)) has been helping people sound extraordinary for 100 years. Founded in 1925, the Company is a leading global manufacturer of audio equipment known for quality, performance, and durability. We make microphones, wireless microphone systems, in-ear monitors, earphones and headphones, conferencing systems, and more. For critical listening, or high-stakes moments on stage, in the studio, and from the meeting room, you can always rely on Shure.
Shure Incorporated is headquartered in Niles, Illinois, in the United States. We have more than 30 manufacturing facilities and regional sales offices throughout the Americas, EMEA, and Asia.

Shure to Debut Intellimix™ Foundation System and Networked Pendant Loudspeaker at Infocomm 2025

![Sonical PR Web.png](https://res.cloudinary.com/olex/image/upload/v1748355186/Sonical_PR_Web_894a2cdbd7.png)

Sonical, creators of CosmOS, the world’s first operating system for your ears, today announced the strategic acquisition of key assets from Hue Hearing, a hearing solutions company renowned for its direct-to-consumer approach and deep understanding of individuals with hearing difficulties.

This acquisition supports Sonical’s ambition to drive forward the next generation of intelligent audio wearables — known as Headphone 3.0 — where headphones function more like smartphones, offering personalised, app-enabled audio experiences via the open CosmOS platform.

Hue Hearing has built a substantial customer base of people seeking accessible and effective hearing solutions. Through ongoing engagement, the company identified a clear gap in the market: customers are looking for more than basic sound amplification — they want smart, adaptive, and customisable hearing technology. Recognising this, it was a natural step for Hue Hearing to collaborate with Sonical’s CosmOS, as the most advanced and scalable platform to address these needs.

“Our customers have consistently asked for more than traditional hearing aids can offer — they want smarter, more responsive and personalised control of their hearing,” said Andre Lavell, CEO of Hue Hearing. “Partnering with Sonical and integrating the CosmOS platform enables us to deliver truly intelligent hearing enhancements to the people who need it most.”

The acquisition provides Sonical with highly valuable consumer insight, product and technology requirements, and distribution capabilities to support the development and launch of new hearing enhancement products powered by CosmOS.

“Hue Hearing has cultivated a strong and trusted relationship with a significant number of people underserved by today’s hearing solutions,” said Gary Spittle, CEO of Sonical. “Integrating their knowledge and experience into our ecosystem is a vital step in making Headphone 3.0 not only innovative but accessible to all.”
This move further strengthens Sonical’s position as the leading platform for innovation in the hearables sector, while expanding its reach into health, accessibility, and consumer wellness applications.

Ends

About Sonical:
Sonical is the leading provider of embedded platforms for audio products and is the team of experts behind CosmOS, the operating system for the ear.   CosmOS makes products ‘appable’ giving the user complete control of how they listen to content, hear the world and monitor their health. 

For more information, visit https://www.sonical.ai/.


Sonical

Sonical Acquires Strategic Assets from Hue Hearing to Accelerate Adoption of Advanced Hearing Enhancement Technologies

![Sonical 1.png](https://res.cloudinary.com/olex/image/upload/v1747818414/Sonical_1_0381fb134c.png)

Sonical is set to transform personal audio consumption with a groundbreaking solution that delivers fully immersive, multi-channel audio experiences for movies, gaming, and music, directly through headphones.

In an industry where spatial audio innovation hasn't been optimised for headphone users, Sonical has identified a critical market opportunity. While content creators invest heavily in high-quality audio experiences and more recently have been upgrading to multi-channel formats for music content, Apple's AirPods set consumer expectations for personal consumption. Most other headphone manufacturers have been slow to adopt advanced audio technologies, creating a chasm between what is created in the studio and what is delivered to our ears.

"Our mission is to solve the fundamental problems with current audio experiences," comments Gary Spittle, CEO at Sonical Inc., who will deliver a presentation on ultra-wideband (UWB) audio streaming technology at the AES Convention this week. "We've taken our lossless audio streaming using ultra-wideband radios and are using its capabilities to deliver multi-channel immersive audio by bringing soundbar-quality sound directly to your headphones, with imperceptible latency."

The company targets two primary user segments. Firstly, entertainment enthusiasts who include owners of high-quality TVs and audio equipment and subscribe to premium content services. This includes user groups with mild to moderate hearing loss seeking improved personalised audio experiences.

Secondly, the gaming segment comprises dedicated gamers with specialised setups who are frustrated with existing Bluetooth connectivity and default spatial rendering without head-tracking. Instead they are seeking competitive advantages through low delay, accurate sound placement and personalised audio configurations.

Sonical's solution offers numerous benefits for headphone users:

- Individuals can now enjoy personalized uncompressed multi-channel sound without disturbing other
- Select from a variety of spatial rendering algorithms to deliver the studio experience to their ears
- Enable enhanced dialogue clarity so conversations can be heard, not read
- Freedom to customize audio preferences beyond the limitations of the source device

Sonical addresses critical market gaps that have long plagued audio technology. Most original equipment manufacturers (OEMs) are not delivering truly immersive audio and when available, low-quality, high-latency audio degrades gameplay. Sonical's innovative approach enables users to watch TV instead of reading captions and experience gaming audio with unprecedented precision.

"Watch movies, play games with multi-channel audio rendering and imperceptible latency," Gary Spittle adds. "We're not just improving audio – we're putting the listener in the middle of it."

Spittle's contribution to the AES workshop on ultra-wideband technology will detail how this breakthrough enables unprecedented audio quality and latency performance for next-generation personal audio devices. Attendees can learn more [here.](https://aeseurope2025.sched.com/event/222fB/the-advance-of-uwb-for-high-quality-and-low-latency-audio?iframe=no)

**About Sonical:**
Sonical is the leading provider of embedded platforms for audio products and is the team of experts behind CosmOS, the operating system for the ear.   CosmOS makes products ‘appable’ giving the user complete control of how they listen to content, hear the world and monitor their health. 

For more information, visit [www.sonical.ai](https://www.sonical.ai/)



Sonical Revolutionises Personal Audio with Immersive Multi-channel Headphone Experience

![Philips NXP Press Release image.png](https://res.cloudinary.com/olex/image/upload/v1747729384/Philips_NXP_Press_Release_image_35c7825ea6.png)

Audioscenic, the UK-based audio technology innovator, announces a technology collaboration with Philips and semiconductor solutions leader NXP® Semiconductors, to demonstrate the world’s first reference design for gaming soundbars. This breakthrough combines Audioscenic Amphi Hi-D® spatial audio featuring AI position sensing with Acoustic Echo Cancellation (AEC) from Philips BeClear. Powered by the NXP i.MX 8M Mini applications processor, this technology enables soundbar manufacturers to deliver fully immersive, location-accurate game audio simultaneously with crystal-clear voice chat—a combination previously unachievable in gaming soundbars. Product designers, product managers, and engineers can experience the reference design in person at Computex Taipei 2025.

Gamers have long faced a trade-off: enjoy rich, immersive sound through speakers or have clear voice communication with teammates through headsets. While headsets have dominated hardcore gaming, many players prefer speaker systems like soundbars for extended comfort without headset fatigue, and a more natural "room-filling" audio experience versus the inside-your-head sound of headsets.
 
Underneath the sleek design of audio devices that feature both speakers and microphones is a series of complex technologies that work in concert. The core technology enabling this breakthrough is AEC. For multiplayer voice chat to work during gameplay, the sound of the game needs to be blocked or cancelled while voice chat is transmitted through microphone arrays. Without this cancellation, other gamers on the chat would hear a jumbled mix of voice and game audio layered on top of their own game audio, resulting in unintelligible communication.
 
What makes this reference design truly revolutionary is how it handles Audioscenic's position-adaptive audio technology. Powered by AI position sensing, Amphi Hi-D® dynamically delivers consistent 3D audio across multiple speakers as gamers naturally move in their gaming space — no more sweet spots or fixed listening positions. This adaptivity presents a unique challenge for conventional AEC systems, which typically struggle with moving sound sources. The Philips BeClear solution is specially tuned to maintain voice clarity regardless of how the Hi-D® system redistributes game audio based on player movement.
 
As Erik van der Tol, Business Developer Licensing at Philips said, "We're excited that gamers can enjoy rich, immersive sound and clear voice communication with teammates at the same time thanks to Philips BeClear technology, which delivers the powerful tech required to prevent speaker sound from being picked up and relayed through the microphones."
 
The technical demands of this system require significant processing power. With Philips BeClear AEC game audio reproduced through Hi-D® that would otherwise make its way into microphones is cancelled out through an instantaneous convergence process. The NXP i.MX 8M Mini applications processor with Quad Arm® Cortex®-A53 running at 1.8GHz per core and 8-channel PDM audio input delivers the computational power needed to process both the 3D sound positioning and real-time echo cancellation simultaneously—allowing gamers to experience immersive sound without sacrificing team communication.
 
"This collaboration perfectly showcases the capabilities of our i.MX 8M family of SoCs," said Mario Centeno, General Manager, IoT Edge, at NXP Semiconductors. "The i.MX 8M Mini SoC and our Immersiv3D audio pipeline software deliver the power and speed needed to simultaneously process this first-to-market combination of Audioscenic's AI-driven spatial audio and Philips BeClear AEC in a compact soundbar."
 
 
"Now is the time for the game voice chat experience to advance, and Audioscenic is proud to work in partnership with global tech leaders Philips and NXP on this innovative Hi-D proof-of-concept," said Marcos Simon, CTO and Co-Founder of Audioscenic. "Philips BeClear running on the NXP chipset with position-adaptive multichannel Hi-D sound unpacks the cluster of game audio and voice, providing remarkable immersive sound and voice clarity without the disruption of noise and echoes."
 
Experience the Amphi Hi-D® gaming soundbar demonstration live at Computex Taipei 2025 on May 19th through the 23rd. To book a private demonstration with Audioscenic, please reach out to the media contacts below.
 
For more information about Audioscenic, please [click here](https://www.audioscenic.com/).

**About Audioscenic**
Audioscenic is an audio technology innovator based in Southampton with a growing, global customer base. Audioscenic Amphi was recognized by the industry renowned audioXpress magazine as Best in Show at CES 2023.  Audioscenic develops intensely researched audio technologies for home audio, gaming, automotive, and public space applications that excite product makers and enchant listeners.  Learn more at www.audioscenic.com.



Audioscenic

Audioscenic Implements BeClear technology to Demonstrate World’s First Hi-D® Soundbar Design with Gaming Voice Chat

![L_Acoustics_DJ_logo.jpg](https://res.cloudinary.com/olex/image/upload/v1746718320/L_Acoustics_DJ_logo_13143f2a6e.jpg)
![LA_L-Acoustics_DJ_01_credit_Maria Zhytnikova_Red Flame Creations.jpg](https://res.cloudinary.com/olex/image/upload/v1746718404/LA_L_Acoustics_DJ_01_credit_Maria_Zhytnikova_Red_Flame_Creations_3d908ab670.jpg)
*Image credit: Maria Zhytnikova*

L-Acoustics today announces L-Acoustics DJ, a groundbreaking solution that transforms traditional stereo DJ setups into fully immersive spatial audio experiences. This comprehensive solution empowers DJs and electronic music artists to transform standard stereo content into dynamic, three-dimensional soundscapes live - all without disrupting established workflows or requiring complex technical interventions.

As audiences embrace increasingly sophisticated entertainment experiences, the potential of audio immersion in electronic music venues has remained largely untapped, with most clubs and festivals still utilizing conventional stereo or quad configurations. L-Acoustics DJ unlocks this potential by making spatial audio accessible, intuitive, and immediately playable for DJs of all technical backgrounds.

"Today's audiences seek deeper, more enveloping entertainment experiences that engage all senses," says Scott Sugden, Director of Product Management, Solutions at L-Acoustics. "Our Immersive DJ Solution opens entirely new creative possibilities, allowing artists to craft three-dimensional sonic environments that transform how audiences physically and emotionally connect with their music."

**Live Stem Separation and Spatial Processing**

At the heart of the system is L-Acoustics proprietary Source Separate technology, a low-latency machine learning-powered technology that accurately separates stereo music into multiple discrete stems, live. Unlike other stem separators on the market, these multi-channel stems route directly into a spatial mix engine, enabling immediate positioning and movement throughout the venue.

The system integrates effortlessly with both digital and analog DJ setups, requiring no changes to existing gear or techniques. DJs can control the immersive experience themselves or work with a dedicated spatial audio engineer, offering maximum creative flexibility.

**For DJs: Creative Freedom with Intuitive Control**

L-Acoustics DJ delivers a comprehensive ecosystem that seamlessly combines specialized hardware—including L-Acoustics loudspeakers, amplified controllers, L-ISA Processor II, and P1 networked audio processor - with purpose-built software featuring an updated L-ISA Controller with L-Acoustics DJ App, LA Network Manager, and Soundvision. This powerful combination is supported by L-Acoustics professionals who provide design assistance and on-site system calibration to ensure optimal performance.

What truly sets this technology apart is its remarkably intuitive user interface, allowing DJs to create dynamic movement, depth, and dimension without requiring extensive technical knowledge. Artists can position beats, basslines, melodies, and vocals throughout the physical space, crafting immersive audio journeys that transform ordinary performances into extraordinary multi-dimensional experiences that deeply resonate with audiences.

“Working with L-Acoustics DJ opens a whole new dimension to my performances,” says Max Cooper, who performed using the solution at L-Acoustics Keynote 2025. “What I appreciate most is how it fits right into my existing setup, and immediately I can place drums, melodies, and vocals throughout the entire space in real time without needing advance preparation. Now I can have an expanded canvas for DJ sets as well as live sets, so I can create enveloping moments where the audience is completely surrounded by different elements of the track.

“I've been exploring spatial audio in my work for years, but this is the first tool I've used that provides a DJ format solution without any complex set-up or steep learning curve. Anyone can jump right in with the simple controls, so it has a wide applicability for venues and performers to get involved with the spatial audio evolution.”

**For Venues and Events: A Competitive Edge**

L-Acoustics DJ provides venues with a crucial competitive advantage by delivering premium audio that elevates and complements their visual productions. The system transforms ordinary spaces into immersive sonic environments that captivate audiences and create lasting impressions.

"What truly sets this solution apart is how it integrates with existing DJ workflows," explains Hugo Heathcote, Business Development Consultant, Nightclubs at L-Acoustics.  "We've developed a system that doesn't require DJs to learn new skills or change their performance style - it simply expands the sonic canvas they can paint on, turning the entire venue into an instrument."   

By transforming traditional stereo sound into three-dimensional audio landscapes, L-Acoustics DJ helps venues differentiate themselves while setting new standards for live music experiences.

**For the Audience: Deeper Emotional Connection**

The impact on audiences is profound. At The Other Side in Amsterdam, which recently installed L-ISA immersive sound technology, patrons experience music they love dynamically throughout the space, creating a more engaging connection to performances. Owner Jasper Löwik notes that “for club-goers, this translates to a transformative experience where music moves around, above, and through them, making each performance uniquely engaging.” The immersive soundscape ensures every detail is perceived throughout the venue, fostering a deeper emotional connection to the performance. “This innovative approach not only sets The Other Side apart from other clubs, it elevates the standard for live music experiences and the audience loves it!” 

L-Acoustics DJ stands at the center of the ecosystem of Source, System and Space, unlocking new creative possibilities and offering DJs, venues and audiences a tool to create, differentiate and enjoy immersive experiences not previously possible.  

L-Acoustics Immersive DJ ships in fall 2025
More information about L-Acoustics DJ can be found at: https://www.l-acoustics.com/product/l-acoustics-dj/ 

The L-Acoustics Keynote 2025 presentation can be viewed here: https://youtu.be/5lZ-5bcLFVM

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.



L-Acoustics DJ Breaks the Stereo Barrier: First Complete Solution to Transform Stereo into a True Spatial Audio Experience

![LA_Keynote_2025_Certified_Pre-Owned_Program.jpg](https://res.cloudinary.com/olex/image/upload/v1746717607/LA_Keynote_2025_Certified_Pre_Owned_Program_967c438680.jpg)

L-Acoustics, the world leader in premium sound experiences, captivated industry partners, clients, and press yesterday at its Keynote 2025 event at London’s iconic Roundhouse Theatre. The invitation-only gathering drew attendees from 40 countries to witness the unveiling of a comprehensive suite of audio innovations and strategic partnerships. 

“The emotional connection between a performer and the audience results from the perfectly crafted collaboration between artists who create the source, engineers who perfect the system, and venues that curate the space to deliver exceptional experiences," said Laurent Vaissié, co-CEO at L-Acoustics. "The innovations announced at our 2025 Keynote support our vision to create the best shared sound experiences." 

The audio innovation ecosystem introduced by L-Acoustics includes a groundbreaking suite of products and solutions built to harmonize artistry, engineering, and venue acoustics, rooted in three essential pillars: Source, System, and Space.

**SOURCE – EMPOWERING ARTISTS WITH CREATIVE FREEDOM **

[**L-Acoustics DJ**](https://www.l-acoustics.com/product/l-acoustics-dj/)

The keynote’s highlight: L-Acoustics introduced a breakthrough solution that redefines live DJ performances by reimagining the traditional stereo mix. This comprehensive solution empowers DJs and electronic music artists to transform standard stereo into dynamic, three-dimensional soundscapes — all while maintaining their familiar workflows. L-Acoustics DJ stands at the center of the ecosystem, unlocking new creative possibilities and offering venues a competitive edge in immersive audio. 

L-Acoustics DJ is available in Q3 2025.

**SYSTEM – EQUIPPING ENGINEERS WITH PRECISION OF ANY SCALE **

[**LA1.16i**](https://www.l-acoustics.com/product/la1.16i)

L-Acoustics announced LA1.16i, an ultra-compact 16-channel amplified controller explicitly engineered for installations. This latest innovation delivers unmatched channel density in a space-saving 1U format, making premium L-Acoustics sound accessible for a wider range of venues and applications. The LA1.16i is purpose-built for near-field applications requiring lower sound pressure levels, and it is ideal for hospitality venues, retail environments, cultural spaces, and residential installations. At just 1U high, the LA1.16i maximizes rack space efficiency while minimizing installation costs.  

LA1.16i is available this summer.

[**Soundvision Connect Software**](https://www.l-acoustics.com/product/soundvision-connect)

L-Acoustics introduced Soundvision Connect, a cloud-based platform, expanding the reach of its industry-leading Soundvision 3D sound modeling software. This platform connects sophisticated audio design with all stakeholders in an intuitive environment, enabling fast collaboration that produces technically precise systems aligned with overall project needs. Soundvision Connect transforms complex sound designs into interactive 3D experiences that architects, consultants, venue owners, and other project stakeholders can easily explore and understand.

“Soundvision Connect transforms how technical audio designs are shared and understood by all stakeholders,” explained Ryan John, Director of Product Management, Software at L-Acoustics. "While Soundvision has long been the industry standard for sound system modeling, now we're expanding the access by creating a collaborative environment where architects, venue owners, and consultants can visualize designs and make informed decisions without requiring specialized audio knowledge." 

Soundvision Connect is available this July.

[**L-ISA 2025**](https://www.l-acoustics.com/products/l-isa-studio/)

The company also unveiled L-ISA 2025, the latest evolution of its groundbreaking immersive audio technology. The highlight of this release is the introduction of Sound Spaces, a revolutionary feature that allows sound designers to create and mix into multiple spatial audio environments within a single project. L-ISA 2025 supports up to 8 discrete Spaces, each with its own system arrangement, all managed from a single L-ISA Controller session and a single L-ISA Processor II. This innovation enables seamless transitions between different sonic landscapes in one venue, dramatically expanding creative possibilities for live productions. 

L-ISA 2025 is available to download for free this June.

[**Certified Pre-Owned Program (CPO)**](https://www.l-acoustics.com/our-service/certified-pre-owned/)

Initially focused on K1 systems, this program establishes quality standards for secondary market transactions through rigorous testing and refurbishment processes. The program offers extended warranties, mandatory training, and system packaging standards that preserve the iconic K1's reputation for excellence while creating new market opportunities for both sellers and buyers. 

The Certified Pre-Owned Program is available now.

**SPACE – ENABLING VENUES TO HARMONIZE ACOUSTICS WITH PURPOSE**

[**Environmental System Design**](https://www.l-acoustics.com/our-service/environmental-system-design-support/) 

L-Acoustics announced Environmental System Design to address significant industry challenges: maintaining positive community relationships while delivering premium sound experiences. This service provides L-Acoustics expertise to help Certified Rental Providers navigate the complex relationships between festival organizers, sound companies, acoustic consultants, and local authorities.

"Live events must balance exceptional audience experiences with respect for surrounding communities," said Asher Dowson, Director of Product Management, Services at L-Acoustics. "Our Environmental System Design service ensures the best sound is directed precisely where needed, helping events and communities coexist harmoniously."

Environmental System Design is available now.
 
[**Ambiance**](https://www.l-acoustics.com/products/ambiance/) 

L-Acoustics introduced updates to Ambiance, its active acoustics system designed to optimize venue flexibility by seamlessly blending system and space. Since its debut, Ambiance has evolved to deliver a more natural, controllable acoustic environment with significant improvements in spatial resolution, reflection density, and calibration speed. Integration with the new LA1.16i amplified controller makes Ambiance accessible to a wider range of venues and budgets. 

This keynote demonstrates L-Acoustics’ commitment to shaping the future of sound through innovative solutions that serve artists, engineers, and venues, to move sound forward.

The L-Acoustics Keynote 2025 presentation can be viewed here: https://youtu.be/5lZ-5bcLFVM

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.


L-Acoustics Unveils Audio Innovation Ecosystem at London Keynote 2025, Featuring Spectacular Max Cooper Performance

![LA_LA1-16i_Front01.jpeg](https://res.cloudinary.com/olex/image/upload/v1746718662/LA_LA_1_16i_Front01_88d5a26fa9.jpg)

Building on the revolutionary approach introduced with the LA7.16i, L-Acoustics announces the LA1.16i, an ultra-compact 16-channel amplified controller specifically engineered for the installation market. This latest innovation delivers unmatched channel density in a space-saving 1U format, making premium L-Acoustics sound accessible for a wider range of venues and applications.

Purpose-built for near-field and short-throw applications where higher sound pressure levels aren't the priority, the LA1.16i is ideal for hospitality venues, retail environments, cultural spaces, and residential installations. Its high channel count enables the deployment of large quantities of speakers - for example, up to 48 X4i compact enclosures - while its space-efficient design maximizes rack space utilization and optimizes installation costs.

"Following the success of our LA7.16i amplified controller, we identified a clear need for a complementary solution for small to medium installations," says Genio Kronauer, Executive Director of R&D, Technologies and Platforms at L-Acoustics. "The LA1.16i applies the same innovative approach to these applications, significantly reducing the cost-per-channel of amplification while maintaining the sonic signature and reliability that L-Acoustics is known for."

Like its predecessor, the LA1.16i incorporates L-SMART, L-Acoustics' patented power management technology that intelligently matches real-time power delivery to the needs of the loudspeaker system. This innovation optimizes efficiency and ensures reliable performance while reducing energy consumption compared to traditional amplifier designs.

The LA1.16i is ideal for front-fill and delay systems in theaters and performing arts centers, distributed background music systems in restaurants, hotels, and retail spaces, L-ISA spatial audio and Ambiance active acoustics installations, and home cinema and yacht entertainment systems.

For network integration, the Milan-certified LA1.16i supports Milan-AVB and AES67 audio network protocols with seamless redundancy, alongside AES/EBU and analog inputs. 

Installation-friendly features include terminal block connectors for all audio outputs, GPIOs for third-party control system integration, and a 24V DC backup power input for the DSP card.
The LA1.16i is remotely configurable, monitored using L-Acoustics LA Network Manager software, and offers integration with popular media control systems through Q-SYS plugins, Crestron modules, and HTTP API.

LA1.16i represents a significant step forward in making L-Acoustics solutions more accessible for projects where high channel count and precise audio control are required. Its unique combination of features creates a compelling amplification solution that delivers uncompromised quality at an approachable price point.

LA1.16i will ship in summer 2025.
For more information on LA1.16i, please visit https://www.l-acoustics.com/product/la1.16i

The L-Acoustics Keynote 2025 presentation can be viewed here: https://youtu.be/5lZ-5bcLFVM

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.


L-Acoustics Unveils Ultra-Compact LA1.16i Amplified Controller: Delivering Decades of Professional Audio Expertise in Its Most Accessible Amplifier to Date

![IMXRK80-Lifestyle-Large Room-WideAngle-MultiDisplay.jpg](https://res.cloudinary.com/olex/image/upload/v1746106116/IMXRK_80_Lifestyle_Large_Room_Wide_Angle_Multi_Display_add281a186.jpg)

[Shure,](https://shure.com/) a leading manufacturer of collaboration solutions, today announced its new [IntelliMix™ Room Kits](https://www.shure.com/en-GB/products/bundles/intellimix-room-kits?variant=IMXRK%252050-E-V) for Microsoft Teams Rooms are Certified for Microsoft Teams and now shipping in Americas (excluding Brazil)1. The complete, scalable meeting room systems feature class-leading audio and video performance. They are designed for effortless deployment in small, medium, and large collaboration spaces, ensuring seamless integration and compatibility within Teams environments. 

“Our initial test meetings were a great success. The Shure MXA902 Ceiling Array Microphone and Loudspeaker delivered outstanding sound quality, and the audio processing was exceptional, significantly enhancing our AI-driven meeting experiences,” said Jim Prothe, Director of Marketing at Magenium, a Microsoft Solutions Partner. “We appreciated the clean set-up and ease of configuration. The larger touch controller prevented any accidental taps of Teams buttons. It performed exactly as expected from a Shure solution.”  

The IntelliMix Room Kits underwent rigorous testing in both lab and real-world meeting environments to achieve certification for Microsoft Teams. This accreditation demonstrates Shure’s commitment to delivering innovative solutions for an AI-powered future. When using AI tools like Microsoft 365 Copilot, IntelliMix Room Kits provide exceptional audio quality to accurately capture and transcribe every word, thereby enhancing participants’’ efficiency, productivity, communication, and interaction.    

“Certified for Microsoft Teams is a testament to the reliability and excellence of the IntelliMix Room Kits," said Sam Sabet, Chief Technology Officer at Shure. “Customers can have confidence that they are investing in technology that meets Microsoft's stringent standards for compatibility, performance, and security. It underscores our dedication to delivering high-quality audio and video, along with advanced AI features, while allowing teams to collaborate as never before."

Shure offers four curated, packaged solutions tailored for different room sizes. Each kit includes a Windows-based Teams Rooms Compute with built-in Shure IntelliMix Room® DSP, a Touch Panel, one or two MXA902 Ceiling Array Microphones + Loudspeakers, Huddly Camera solutions and all needed accessories for connectivity and power. With zero-touch provisioning, the audio, video, and compute devices auto-configure out of the box for a streamlined setup experience. IT teams can monitor and manage the IoT-ready systems from anywhere via [ShureCloud](https://www.shure.com/en-US/support/shurecloud), Teams Admin Center and Teams Rooms Pro Management Portal. 

To help customers protect their investment and ensure peace of mind, Shure offers an optional three-year extended warranty on top of a standard limited warranty for coverage of up to five years. Warranty extension is available for purchase via Shure channel partners.

For more information contact your Shure Sales representative or visit: [shure.com/IntelliMixRoomKits](https://www.shure.com/en-GB/products/bundles/intellimix-room-kits?variant=IMXRK%252050-E)  

1 Availability in other regions is expected to commence in the coming months. Please contact your local Shure representative to get more details for your market. 



About Shure
Shure (www.shure.com) has been helping people sound extraordinary for 100 years. Founded in 1925, the Company is a leading global manufacturer of audio equipment known for quality, performance, and durability. Shure offers microphones, wireless microphone systems, in-ear monitors, earphones and headphones, conferencing systems, and more. For critical listening, or high-stakes moments on stage, in the studio, and in the meeting room, Shure is the trusted solution.

Shure Incorporated is headquartered in Niles, Illinois, in the United States, and includes more than 30 manufacturing facilities and regional sales offices throughout the Americas, EMEA, and Asia.


Shure Intellimix™ Room Kits Certified for Microsoft Teams and Now Available

![LA_NBC Congrescentrum_01.jpg](https://res.cloudinary.com/olex/image/upload/v1745834625/LA_NBC_Congrescentrum_01_69a10b993f.jpg)

Following a devastating fire in 2022, the NBC Congrescentrum has emerged from its ashes not just rebuilt but technologically transformed. This premier Dutch event venue, which evolved from a modest meeting space in 1992 to hosting up to 4,000 guests today, now features a sophisticated L-Acoustics K Series sound system with a remarkable design innovation: when two large halls combine into one space, four precisely positioned line arrays seamlessly integrate to deliver consistent audio coverage throughout.

**Adaptive Audio Solutions for Dynamic Event Spaces**

L-Acoustics Certified Partner AudioBizz collaborated with AVEX to overcome NBC's primary challenge: creating a versatile system that not only satisfies demanding production riders but also integrates seamlessly with the venue's architectural aesthetics. "We created a unique design where two large event halls can function independently or combine into one cohesive space," explains Edwin Lam of AVEX, who worked with AudioBizz to engineer the system using L-Acoustics Soundvision software. "When the dividing wall is removed, four carefully positioned line arrays work together as a unified sound solution." 

**Award-Winning Technical Excellence with Kara IIi**

The system features identical configurations in Event Halls 1 and 2. Each space includes left/right arrays composed of six Kara IIi line arrays, complemented by three KS21i subwoofers flown center stage. For front-fill, three 5XT speakers are positioned along the vertical stage edge, while two X8 speakers on the stage floor provide stage monitoring. Additional low-frequency reinforcement comes from two KS28 subwoofers mounted on the stage's vertical edge.

The entire system is driven by LA12X and LA4X amplifiers, harnessing the advanced capabilities of Kara IIi, such as variable inter-element angles and Panflex technology for precisely controlled horizontal sound dispersion.

"The Kara IIi offers industry-leading sound pressure levels relative to its weight," notes Nico Smidt, Sales Director at AudioBizz. "This makes it ideal for NBC Congrescentrum, where both speech intelligibility and musical clarity are essential across diverse event types. The system's flexible mounting options allowed us to integrate it discreetly within the venue's architectural framework, preserving aesthetics while maximising acoustic performance."

**International Recognition and Future Expansion**

The project has garnered international recognition, with AVEX winning a prestigious award in the Venues & Event Space category at the InAVation Awards 2025 in Barcelona. Competing against distinguished audiovisual installations worldwide, the NBC Congrescentrum project stood out for its exceptional technological design excellence.

The venue's audio evolution continues, with plans to enhance Event Halls 1 and 2 with four additional KS21 subwoofers and LA12X amplification for increased low-frequency response. The third space, the Grand Hall, is scheduled for a complete upgrade incorporating another Kara IIi system to complement existing L-Acoustics amplifiers, establishing consistent audio quality across all event spaces.

**Creating Memorable Experience Through Sound**

"When the sound is perfect, you can feel the energy shift in the room," says Mark van Hooijdonk, Managing Director of NBC Congrescentrum. "Our investment in L-Acoustics technology demonstrates our commitment to creating exceptional experiences that resonate with clients and guests alike. We now feature the largest projection surface in Europe, but our transformation extends beyond technology—it's about crafting memorable moments that endure long after each event concludes."

For more information on NBC visit [https://nbcconferencecentre.com ](https://nbcconferencecentre.com )
Learn more about L-Acoustics at [www.l-acoustics.com](www.l-acoustics.com).

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.  
 
Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies. 

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.  


Netherlands' NBC Congrescentrum Creates Adaptive Sound Design Experience  with L-Acoustics K Series

![LA_Counterfeit_Recycling_01 copy.jpg](https://res.cloudinary.com/olex/image/upload/v1745828994/LA_Counterfeit_Recycling_01_copy_68d2fb7282.jpg)

In a significant achievement for both consumer safety and intellectual property rights, L-Acoustics has successfully won legal judgments against two European counterfeiters of its professional audio equipment. These legal actions underscore the company’s unwavering commitment to ensuring audience safety and protecting the market for legitimate partners.

Working through its dedicated Anti-Counterfeiting Task Force, L-Acoustics pursued legal action in both Germany and Norway against companies that were acquiring and renting fake 
L-Acoustics products, including loudspeakers and electronics. Initial analysis of the seized counterfeit products revealed alarming safety concerns, including metal components only half the required strength of authentic L-Acoustics specifications—resulting in a 48% decrease in safety factor.

In Germany, the court ruled against a rental company utilizing counterfeit Kara loudspeakers, rejecting their defense that they were not liable as they were only renting the equipment rather than selling it. The tribunal recognized the products as counterfeit, prohibiting the company from using other fake products. Critically, the court also mandated the disclosure of information regarding the origin of the counterfeit products, enabling L-Acoustics to investigate potential larger distribution networks.

"L-Acoustics extends its appreciation to the German court for this significant ruling,” expresses Laurent Ostojski, Senior Legal Counsel at L-Acoustics. “This judgement not only protects our intellectual property but also helps maintain the integrity of the professional audio market."

In Norway, L-Acoustics acted against a local rental company offering counterfeit products at significantly reduced rental prices. The intervention was motivated primarily by serious safety concerns, as the fake speakers and amplifiers were being deployed in confined spaces with high occupancy at "russ bus" end-of-year student celebrations—creating a potentially dangerous situation. When faced with legal proceedings, the counterfeiter admitted wrongdoing, paid damages, and halted pending orders of additional counterfeit products from China.

"These cases highlight our dual commitment to safety and market integrity," says Ostojski. "The counterfeit products not only infringe on our intellectual property but present a real danger to unsuspecting audiences and venue operators. Our priority will always be protecting the public from substandard products that fail to meet proper safety standards."

All seized counterfeit products are being transported to L-Acoustics headquarters in Marcoussis, France for comprehensive analysis before being properly destroyed and recycled in line with the company’s Corporate Social Responsibility strategy. L-Acoustics is working with certified European WEEE (Waste Electrical and Electronic Equipment) organizations to ensure environmentally responsible disposal and maximum material recovery. The eco-organization eCologic, a member of WEEE in France, handled the entire destruction and recycling process, which was overseen by a bailiff to ensure compliance.

"In addition to identifying the rigging dangers of these fake products with half the amount of metal required for our rigorous safety standards, our investigation also revealed that some of the counterfeit amplifiers had already failed before seizure," explains Ostojski. "This underscores the risk these products pose. By ensuring proper recycling of these materials, we're removing dangerous products from the market while minimizing environmental impact."

L-Acoustics manufactures all products in Europe under strict quality control and safety standards. More information about the L-Acoustics Anti-Counterfeiting Task Force can be found at 
l-acoustics.com, where users can also report any suspected counterfeit L-Acoustics products.

A video of the recycling process of the counterfeit L-Acoustics speakers can be viewed here: [https://youtu.be/wypXffmLF4Q](https://youtu.be/wypXffmLF4Q)

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.


L-Acoustics Secures Important Victories Against European Counterfeiters,  Safeguarding Audiences and Partners

![Vina del Mar_ Shure_ Marc Anthony_1.jpg](https://res.cloudinary.com/olex/image/upload/v1745496288/Vina_del_Mar_Shure_Marc_Anthony_1_a2307be6b0.jpg)

The LXIV edition of the Viña del Mar Festival took place February 23 through March 1 in Chile, and for the first time ever, it was broadcast live worldwide to more than 5 million viewers. To ensure exceptional performances for the audience and artists alike, Viña del Mar relied on the [Shure Axient® Digital Wireless System](https://www.shure.com/products/wireless-systems/axient_digital?variant=Axient%2520Digital). 

With an impressive artist lineup, the Viña del Mar festival has wrapped up another edition where great audio played a crucial role. The technical team relied on 70 channels of Axient Digital technology, 62 channels of [PSM 1000 Advanced In-Ear Personal Monitoring System](https://www.shure.com/products/in-ear-monitoring/psm1000), and four channels of [Axient Digital PSM Advanced Digital In-Ear Monitor System,](https://www.shure.com/products/in-ear-monitoring/adpsm) among other Shure gear.

Thanks to its robustness and reliability, Axient Digital and PSM delivered superior audio and solid RF throughout the festival, despite the challenging technical environment. 

Marc Anthony opened the LXIV edition performing with an [ADX2 handheld with a BETA® 58 capsule](https://www.shure.com/products/wireless-systems/axient_digital/adx2_b58?variant=ADX2%252FB58%253D-G57). He also relied on Shure’s newest digital in-ear monitoring solution, Axient Digital PSM. Jimmy Ibanez, sound engineer for Marc Anthony, mentioned: 

“My experience with Axient Digital PSM has been amazing. From day one I was absolutely impressed. My mix has gone up to 10. I was able to maintain the digital transmission via Dante from my console right to the unit. The sound is extremely transparent and clean. The stage was surrounded completely by video walls, but I immediately felt the difference in RF transmission. There were no hiccups with the RF signal, so it’s been incredible.” 

“Viña del Mar is a huge and very prestigious show in Latin America. And at a big show like this, having the Shure team was really helpful, and it made it another amazing experience,” Ibanez added.  

Sebastian Yatra relied on Shure Axient Digital, with 70 bodypacks for the crew and PSM 1000 in-ears for personal monitoring. Alongside him, Morat trusted [ADX2 handheld microphones and the iconic SM58 capsule](https://www.shure.com/products/wireless-systems/axient_digital/adx2_sm58?variant=ADX2%252FSM58%253D-G57). 

Hosts Rafael Araneda and Karen Doggenweiler also used Shure wireless microphones, trusting a [KSM11 nickel ](https://www.shure.com/products/wireless-systems/axient_digital/adx2_k11?variant=ADX2%252FK11N%253D-G57) capsule on stage and a [KSM9](https://www.shure.com/products/wireless-systems/axient_digital/adx2_k9?variant=ADX2%2FK9B%3D-G57) black capsule for backstage interviews. Both capsules were paired with Shure ADX2 handheld wireless transmitters. 

The Ha*Ash duo formed by sisters Hanna and Ashley, who received the Gaviota De Oro award, performed with two personalized gold Shure ADX2 handheld microphones with an SM58 capsule and the PSM 1000 Advanced In-Ear Monitoring System. 

Other artists like Bacilos, Miriam Hernandez, The Cult, Duki, and Kidd Voodo also relied on Shure Axient Digital. Same for Incubus, who also used Axient Digital PSM during their performance at Viña del Mar 2025. 

“Supporting a show like Viña del Mar is a huge honor. It enables us to work closely with artists and their engineers and help them maximize Shure’s solutions. By being onsite, we show them what Shure’s wireless technology is capable of, resulting in creative and extraordinary performances that both the audience and artists enjoy to the fullest,” said Ruben Alvarez, Sr. Specialist Market Development, at Shure. 

To learn more about the Axient Digital Wireless System, please visit: www.shure.com/en-US/products/wireless-systems/axient_digital.
 
To learn more about the new Axient Digital PSM Digital In-Ear Wireless System, please visit: www.shure.com/en-US/products/in-ear-monitoring/adpsm. 

**About Shure **
Shure (www.shure.com) has been making people sound extraordinary for a century. Founded in 1925, the Company is a leading global manufacturer of audio equipment known for quality, performance, and durability. We make microphones, wireless microphone systems, in-ear monitors, earphones and headphones, conferencing systems, and more. For critical listening, or high-stakes moments on stage, in the studio, and from the meeting room, you can always rely on Shure. 

Shure Incorporated is headquartered in Niles, Illinois, in the United States. We have nearly 30 manufacturing facilities and regional sales offices throughout the Americas, EMEA, and Asia. 


The Magic of Viña del Mar Festival is Amplified by Shure Axient® Digital

![Press release image.jpg](https://res.cloudinary.com/olex/image/upload/v1745416653/Press_release_image_301e415c8d.jpg)

Sonical, the pioneering audio technology company, today announced the launch of its crowdfunding campaign, inviting the music and entertainment community to participate in its groundbreaking CosmOS audio platform development.

The crowdfunding initiative, available on Wefunder (https://wefunder.com/sonical), offers an unprecedented opportunity to join Sonical's technological revolution. 

Gary Spittle, CEO of Sonical, comments on the campaign: "Our crowdfunding campaign is more than just a financial opportunity – it's an invitation to join a transformative journey in audio technology. We're not just seeking investment; we're building a community of innovators who believe in reimagining how we experience sound."

For decades, headphones have been slowly evolving but still fall short of their true potential. Sonical is changing the game by putting you in control of how you use your ears and giving you access to a universe of new applications. In the same way that the introduction of the smartphone unlocked the creativity of third party app developers, Sonical has identified an inflection point in the market. Sonical’s platform is reshaping headphones into personalised “Smart ear” wearable computers - transforming how we listen, communicate and care for our hearing, and ultimately monitor our health.

Paul Watson, Strategic Advisor and Lead Investor, expressed his commitment: "I am privileged to lead this funding campaign with Sonical. What sets this opportunity apart is not just the technological innovation, but the potential to democratise audio experience. We're not just investing in a product; we're investing in a future where users have unprecedented control over their audio environment."

Key highlights of the campaign include:
- Revolutionising ear-worn tech: Introducing "Headphone 3.0" – the first appable audio platform 
- Proven traction: 100+ technology developers and 2 strategic product investors using Sonical's CosmOS 
- Large opportunity: Addressing a $75B TAM across audio, health, and communications 
- Validated solution: Active customer projects with global brands, leveraging AI for cutting-edge tech 
- Robust IP portfolio: Patents filed covering over 1,000 innovations in audio, AI and operating system 
- Team of experts: Industry veterans leading personal audio innovation for last 30+ years 
- Sustainability-focused innovation: First mover in upgradable smart audio products to reduce e-waste
- Visionary roadmap: Complete solution and ecosystem poised to redefine the global headphone industry

Find out more about the crowdfunder here: [https://wefunder.com/sonical](https://wefunder.com/sonical) 

**About Sonical:**
Sonical is the leading provider of embedded platforms for audio products and is the team of experts behind CosmOS, the operating system for the ear. CosmOS makes products ‘appable’ giving the user complete control of how they listen to content, hear the world and monitor their health. 

For more information, visit [www.sonical.com](https://www.sonical.ai/)


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