![LA_NBC Congrescentrum_01.jpg](https://res.cloudinary.com/olex/image/upload/v1745834625/LA_NBC_Congrescentrum_01_69a10b993f.jpg)

Following a devastating fire in 2022, the NBC Congrescentrum has emerged from its ashes not just rebuilt but technologically transformed. This premier Dutch event venue, which evolved from a modest meeting space in 1992 to hosting up to 4,000 guests today, now features a sophisticated L-Acoustics K Series sound system with a remarkable design innovation: when two large halls combine into one space, four precisely positioned line arrays seamlessly integrate to deliver consistent audio coverage throughout.

**Adaptive Audio Solutions for Dynamic Event Spaces**

L-Acoustics Certified Partner AudioBizz collaborated with AVEX to overcome NBC's primary challenge: creating a versatile system that not only satisfies demanding production riders but also integrates seamlessly with the venue's architectural aesthetics. "We created a unique design where two large event halls can function independently or combine into one cohesive space," explains Edwin Lam of AVEX, who worked with AudioBizz to engineer the system using L-Acoustics Soundvision software. "When the dividing wall is removed, four carefully positioned line arrays work together as a unified sound solution." 

**Award-Winning Technical Excellence with Kara IIi**

The system features identical configurations in Event Halls 1 and 2. Each space includes left/right arrays composed of six Kara IIi line arrays, complemented by three KS21i subwoofers flown center stage. For front-fill, three 5XT speakers are positioned along the vertical stage edge, while two X8 speakers on the stage floor provide stage monitoring. Additional low-frequency reinforcement comes from two KS28 subwoofers mounted on the stage's vertical edge.

The entire system is driven by LA12X and LA4X amplifiers, harnessing the advanced capabilities of Kara IIi, such as variable inter-element angles and Panflex technology for precisely controlled horizontal sound dispersion.

"The Kara IIi offers industry-leading sound pressure levels relative to its weight," notes Nico Smidt, Sales Director at AudioBizz. "This makes it ideal for NBC Congrescentrum, where both speech intelligibility and musical clarity are essential across diverse event types. The system's flexible mounting options allowed us to integrate it discreetly within the venue's architectural framework, preserving aesthetics while maximising acoustic performance."

**International Recognition and Future Expansion**

The project has garnered international recognition, with AVEX winning a prestigious award in the Venues & Event Space category at the InAVation Awards 2025 in Barcelona. Competing against distinguished audiovisual installations worldwide, the NBC Congrescentrum project stood out for its exceptional technological design excellence.

The venue's audio evolution continues, with plans to enhance Event Halls 1 and 2 with four additional KS21 subwoofers and LA12X amplification for increased low-frequency response. The third space, the Grand Hall, is scheduled for a complete upgrade incorporating another Kara IIi system to complement existing L-Acoustics amplifiers, establishing consistent audio quality across all event spaces.

**Creating Memorable Experience Through Sound**

"When the sound is perfect, you can feel the energy shift in the room," says Mark van Hooijdonk, Managing Director of NBC Congrescentrum. "Our investment in L-Acoustics technology demonstrates our commitment to creating exceptional experiences that resonate with clients and guests alike. We now feature the largest projection surface in Europe, but our transformation extends beyond technology—it's about crafting memorable moments that endure long after each event concludes."

For more information on NBC visit [https://nbcconferencecentre.com ](https://nbcconferencecentre.com )
Learn more about L-Acoustics at [www.l-acoustics.com](www.l-acoustics.com).

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.  
 
Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies. 

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.  


L-Acoustics

Netherlands' NBC Congrescentrum Creates Adaptive Sound Design Experience  with L-Acoustics K Series

![LA_Counterfeit_Recycling_01 copy.jpg](https://res.cloudinary.com/olex/image/upload/v1745828994/LA_Counterfeit_Recycling_01_copy_68d2fb7282.jpg)

In a significant achievement for both consumer safety and intellectual property rights, L-Acoustics has successfully won legal judgments against two European counterfeiters of its professional audio equipment. These legal actions underscore the company’s unwavering commitment to ensuring audience safety and protecting the market for legitimate partners.

Working through its dedicated Anti-Counterfeiting Task Force, L-Acoustics pursued legal action in both Germany and Norway against companies that were acquiring and renting fake 
L-Acoustics products, including loudspeakers and electronics. Initial analysis of the seized counterfeit products revealed alarming safety concerns, including metal components only half the required strength of authentic L-Acoustics specifications—resulting in a 48% decrease in safety factor.

In Germany, the court ruled against a rental company utilizing counterfeit Kara loudspeakers, rejecting their defense that they were not liable as they were only renting the equipment rather than selling it. The tribunal recognized the products as counterfeit, prohibiting the company from using other fake products. Critically, the court also mandated the disclosure of information regarding the origin of the counterfeit products, enabling L-Acoustics to investigate potential larger distribution networks.

"L-Acoustics extends its appreciation to the German court for this significant ruling,” expresses Laurent Ostojski, Senior Legal Counsel at L-Acoustics. “This judgement not only protects our intellectual property but also helps maintain the integrity of the professional audio market."

In Norway, L-Acoustics acted against a local rental company offering counterfeit products at significantly reduced rental prices. The intervention was motivated primarily by serious safety concerns, as the fake speakers and amplifiers were being deployed in confined spaces with high occupancy at "russ bus" end-of-year student celebrations—creating a potentially dangerous situation. When faced with legal proceedings, the counterfeiter admitted wrongdoing, paid damages, and halted pending orders of additional counterfeit products from China.

"These cases highlight our dual commitment to safety and market integrity," says Ostojski. "The counterfeit products not only infringe on our intellectual property but present a real danger to unsuspecting audiences and venue operators. Our priority will always be protecting the public from substandard products that fail to meet proper safety standards."

All seized counterfeit products are being transported to L-Acoustics headquarters in Marcoussis, France for comprehensive analysis before being properly destroyed and recycled in line with the company’s Corporate Social Responsibility strategy. L-Acoustics is working with certified European WEEE (Waste Electrical and Electronic Equipment) organizations to ensure environmentally responsible disposal and maximum material recovery. The eco-organization eCologic, a member of WEEE in France, handled the entire destruction and recycling process, which was overseen by a bailiff to ensure compliance.

"In addition to identifying the rigging dangers of these fake products with half the amount of metal required for our rigorous safety standards, our investigation also revealed that some of the counterfeit amplifiers had already failed before seizure," explains Ostojski. "This underscores the risk these products pose. By ensuring proper recycling of these materials, we're removing dangerous products from the market while minimizing environmental impact."

L-Acoustics manufactures all products in Europe under strict quality control and safety standards. More information about the L-Acoustics Anti-Counterfeiting Task Force can be found at 
l-acoustics.com, where users can also report any suspected counterfeit L-Acoustics products.

A video of the recycling process of the counterfeit L-Acoustics speakers can be viewed here: [https://youtu.be/wypXffmLF4Q](https://youtu.be/wypXffmLF4Q)

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.


L-Acoustics Secures Important Victories Against European Counterfeiters,  Safeguarding Audiences and Partners

![Vina del Mar_ Shure_ Marc Anthony_1.jpg](https://res.cloudinary.com/olex/image/upload/v1745496288/Vina_del_Mar_Shure_Marc_Anthony_1_a2307be6b0.jpg)

The LXIV edition of the Viña del Mar Festival took place February 23 through March 1 in Chile, and for the first time ever, it was broadcast live worldwide to more than 5 million viewers. To ensure exceptional performances for the audience and artists alike, Viña del Mar relied on the [Shure Axient® Digital Wireless System](https://www.shure.com/products/wireless-systems/axient_digital?variant=Axient%2520Digital). 

With an impressive artist lineup, the Viña del Mar festival has wrapped up another edition where great audio played a crucial role. The technical team relied on 70 channels of Axient Digital technology, 62 channels of [PSM 1000 Advanced In-Ear Personal Monitoring System](https://www.shure.com/products/in-ear-monitoring/psm1000), and four channels of [Axient Digital PSM Advanced Digital In-Ear Monitor System,](https://www.shure.com/products/in-ear-monitoring/adpsm) among other Shure gear.

Thanks to its robustness and reliability, Axient Digital and PSM delivered superior audio and solid RF throughout the festival, despite the challenging technical environment. 

Marc Anthony opened the LXIV edition performing with an [ADX2 handheld with a BETA® 58 capsule](https://www.shure.com/products/wireless-systems/axient_digital/adx2_b58?variant=ADX2%252FB58%253D-G57). He also relied on Shure’s newest digital in-ear monitoring solution, Axient Digital PSM. Jimmy Ibanez, sound engineer for Marc Anthony, mentioned: 

“My experience with Axient Digital PSM has been amazing. From day one I was absolutely impressed. My mix has gone up to 10. I was able to maintain the digital transmission via Dante from my console right to the unit. The sound is extremely transparent and clean. The stage was surrounded completely by video walls, but I immediately felt the difference in RF transmission. There were no hiccups with the RF signal, so it’s been incredible.” 

“Viña del Mar is a huge and very prestigious show in Latin America. And at a big show like this, having the Shure team was really helpful, and it made it another amazing experience,” Ibanez added.  

Sebastian Yatra relied on Shure Axient Digital, with 70 bodypacks for the crew and PSM 1000 in-ears for personal monitoring. Alongside him, Morat trusted [ADX2 handheld microphones and the iconic SM58 capsule](https://www.shure.com/products/wireless-systems/axient_digital/adx2_sm58?variant=ADX2%252FSM58%253D-G57). 

Hosts Rafael Araneda and Karen Doggenweiler also used Shure wireless microphones, trusting a [KSM11 nickel ](https://www.shure.com/products/wireless-systems/axient_digital/adx2_k11?variant=ADX2%252FK11N%253D-G57) capsule on stage and a [KSM9](https://www.shure.com/products/wireless-systems/axient_digital/adx2_k9?variant=ADX2%2FK9B%3D-G57) black capsule for backstage interviews. Both capsules were paired with Shure ADX2 handheld wireless transmitters. 

The Ha*Ash duo formed by sisters Hanna and Ashley, who received the Gaviota De Oro award, performed with two personalized gold Shure ADX2 handheld microphones with an SM58 capsule and the PSM 1000 Advanced In-Ear Monitoring System. 

Other artists like Bacilos, Miriam Hernandez, The Cult, Duki, and Kidd Voodo also relied on Shure Axient Digital. Same for Incubus, who also used Axient Digital PSM during their performance at Viña del Mar 2025. 

“Supporting a show like Viña del Mar is a huge honor. It enables us to work closely with artists and their engineers and help them maximize Shure’s solutions. By being onsite, we show them what Shure’s wireless technology is capable of, resulting in creative and extraordinary performances that both the audience and artists enjoy to the fullest,” said Ruben Alvarez, Sr. Specialist Market Development, at Shure. 

To learn more about the Axient Digital Wireless System, please visit: www.shure.com/en-US/products/wireless-systems/axient_digital.
 
To learn more about the new Axient Digital PSM Digital In-Ear Wireless System, please visit: www.shure.com/en-US/products/in-ear-monitoring/adpsm. 

**About Shure **
Shure (www.shure.com) has been making people sound extraordinary for a century. Founded in 1925, the Company is a leading global manufacturer of audio equipment known for quality, performance, and durability. We make microphones, wireless microphone systems, in-ear monitors, earphones and headphones, conferencing systems, and more. For critical listening, or high-stakes moments on stage, in the studio, and from the meeting room, you can always rely on Shure. 

Shure Incorporated is headquartered in Niles, Illinois, in the United States. We have nearly 30 manufacturing facilities and regional sales offices throughout the Americas, EMEA, and Asia. 


Shure

The Magic of Viña del Mar Festival is Amplified by Shure Axient® Digital

![Press release image.jpg](https://res.cloudinary.com/olex/image/upload/v1745416653/Press_release_image_301e415c8d.jpg)

Sonical, the pioneering audio technology company, today announced the launch of its crowdfunding campaign, inviting the music and entertainment community to participate in its groundbreaking CosmOS audio platform development.

The crowdfunding initiative, available on Wefunder (https://wefunder.com/sonical), offers an unprecedented opportunity to join Sonical's technological revolution. 

Gary Spittle, CEO of Sonical, comments on the campaign: "Our crowdfunding campaign is more than just a financial opportunity – it's an invitation to join a transformative journey in audio technology. We're not just seeking investment; we're building a community of innovators who believe in reimagining how we experience sound."

For decades, headphones have been slowly evolving but still fall short of their true potential. Sonical is changing the game by putting you in control of how you use your ears and giving you access to a universe of new applications. In the same way that the introduction of the smartphone unlocked the creativity of third party app developers, Sonical has identified an inflection point in the market. Sonical’s platform is reshaping headphones into personalised “Smart ear” wearable computers - transforming how we listen, communicate and care for our hearing, and ultimately monitor our health.

Paul Watson, Strategic Advisor and Lead Investor, expressed his commitment: "I am privileged to lead this funding campaign with Sonical. What sets this opportunity apart is not just the technological innovation, but the potential to democratise audio experience. We're not just investing in a product; we're investing in a future where users have unprecedented control over their audio environment."

Key highlights of the campaign include:
- Revolutionising ear-worn tech: Introducing "Headphone 3.0" – the first appable audio platform 
- Proven traction: 100+ technology developers and 2 strategic product investors using Sonical's CosmOS 
- Large opportunity: Addressing a $75B TAM across audio, health, and communications 
- Validated solution: Active customer projects with global brands, leveraging AI for cutting-edge tech 
- Robust IP portfolio: Patents filed covering over 1,000 innovations in audio, AI and operating system 
- Team of experts: Industry veterans leading personal audio innovation for last 30+ years 
- Sustainability-focused innovation: First mover in upgradable smart audio products to reduce e-waste
- Visionary roadmap: Complete solution and ecosystem poised to redefine the global headphone industry

Find out more about the crowdfunder here: [https://wefunder.com/sonical](https://wefunder.com/sonical) 

**About Sonical:**
Sonical is the leading provider of embedded platforms for audio products and is the team of experts behind CosmOS, the operating system for the ear. CosmOS makes products ‘appable’ giving the user complete control of how they listen to content, hear the world and monitor their health. 

For more information, visit [www.sonical.com](https://www.sonical.ai/)


Sonical

Sonical Opens Croudfunding Opportunity to Bring Music and Entertainment Community on Innovative Audio Journey

[Shure](https://www.shure.com/en-US) is set to mark a significant milestone as the Headline Partner at [InfoComm 2025](https://www.infocommshow.org/) in Orlando, Fla. This exclusive sponsorship not only underscores Shure’s longstanding relationship with AVIXA but also demonstrates its continued investment in the AV industry, driving innovation and revealing new solutions as the Company celebrates its 100-year anniversary. As headline sponsor, Shure will showcase its thought leadership and technical expertise across InfoComm stages and educational sessions. 

“We are thrilled to have Shure as our Headline Partner for InfoComm 2025. Shure is an InfoComm staple that attracts attendees year after year,” said Jenn Heinold, Senior Vice President, Expositions, Americas, AVIXA. “Shure’s elevated presence at InfoComm 2025 will enrich the show and inspire the pro AV community to reach new heights.”  

As Shure gears up for this significant event, it reflects on nearly three decades of consistent participation and the enduring relationships built during that time. The Company’s involvement in InfoComm has been a cornerstone of its engagement with industry professionals.

“Shure has been an exhibitor at InfoComm for nearly 30 years, and we are honored to ring in our 100-year celebration with a headline sponsorship at this year’s show,” said Christine Schyvinck, Chief Executive Officer at Shure. “InfoComm is a show that puts us face-to-face with some of the best in the industry, and we look forward to taking our role at the show even further this year, going beyond product exhibitions and participating in informative sessions that will help us come together as an industry to shape the future of audio.”

From Conferencing, Pro Audio, Content Creation and more, Shure continuously debuts innovative products to address the evolving needs of customers, which has led to having one of the most comprehensive sets of audio technology in the market. Whether in a key business meeting or at a high-stake moment at the stage, superior audio plays a crucial role. All IT managers, AV professionals and audio engineers require the highest standards in performance and reliability. When it comes to audio, there is no room for error.  

Shure will be showcasing recent innovations including [IntelliMix™ Room Kits](https://www.shure.com/en-US/products/bundles/intellimix-room-kits?variant=IMXRK30-V), [Microflex® Loudspeaker](https://www.shure.com/en-US/solutions/microflex-ecosystem), [MXW neXt 4 and 8](https://www.shure.com/en-US/products/wireless-systems/microflex-wireless-next-4-8?variant=MXW%2520Next%25204%252F8), and [MoveMic 88+](https://www.shure.com/en-US/products/microphones/movemic88plus?variant=MV88%252BW-Z7) and more at booth #2843 in the Central Hall. Stay tuned for more InfoComm announcements from Shure closer to the show. 

About Shure  
Shure (www.shure.com) has been helping people sound extraordinary for 100 years. Founded in 1925, the Company is a leading global manufacturer of audio equipment known for quality, performance, and durability. We make microphones, wireless microphone systems, in-ear monitors, earphones and headphones, conferencing systems, and more. For critical listening, or high-stakes moments on stage, in the studio, and from the meeting room, you can always rely on Shure.  
 
Shure Incorporated is headquartered in Niles, Illinois, in the United States. We have more than 30 manufacturing facilities and regional sales offices throughout the Americas, EMEA, and Asia. 
 


Shure to Serve as Infocomm 2025 Headline Partner

![LA_la Cartonnerie_01.jpg © L.POCHET.jpg](https://res.cloudinary.com/olex/image/upload/v1744636650/LA_la_Cartonnerie_01_jpg_L_POCHET_2c5d94e033.jpg)

Since 2005 La Cartonnerie has served as a vital cultural cornerstone of Reims' contemporary music scene. Now, with an upgrade to an L-Acoustics eco-friendly L Series system with inherent cardioid technology, the venue which hosts up to 120 concerts annually has written a new chapter in its musical journey. This significant enhancement to the venue's Great Hall, which has welcomed artists such as Justice, Christine and the Queens, and Stromae, marks a milestone in La Cartonnerie's commitment to maintaining its renowned acoustic performance standards.

**A Regional Cultural Hub Embracing Acoustic Excellence**

La Cartonnerie's 4,000 m² complex houses three distinct performance spaces: the expansive 1,200-capacity Great Hall, an intimate 350-seat Club, and the versatile Floor—a warm-up area that doubles as a bar and restaurant. Beyond concerts, it supports musicians through residency programmes and drives cultural initiatives like the La Magnifique Society festival.

When certified L-Acoustics partner MDS Audio and Orion first walked into La Cartonnerie's Great Hall, they knew they were facing an acoustic puzzle. The venue's distinctive multi-level architecture and challenging asymmetric configuration demanded a sound solution that could deliver crystal-clear audio throughout the space.

**L Series: Precision Engineering for Architectural Complexity**

 "The hunt for the perfect sound wasn't just about technical specifications," explains Jérémie Valensi, Technical Director at La Cartonnerie. "L-Acoustics stood out through their sustainable manufacturing approach and commitment to French production. Their L Series, with its Progressive Ultra-dense Line Source technology, offered exactly what our complex space needed—exceptional sonic performance, impressive power-to-size ratio, and versatility that could handle our unique architectural challenges."

**Soundvision: Digital Twin Technology for Precise Implementation**

The installation presented multiple challenges, including ensuring consistent sound coverage across a complex multi-level space while maintaining pristine sightlines. L-Acoustics Soundvision software became the team's essential tool, enabling precise acoustic modelling that validated speaker placement before installation began. "We had to be meticulous," Valensi recalls. "Our goal was to create an audio experience where every seat feels like the best seat in the house. We needed to cover the entire room—from the front row to the back of the balcony—without visual compromise."

**KS28 Subwoofers: Balancing Regulatory Compliance with Sonic Impact**

Sound regulations added another technical challenge, particularly regarding dB(C) measurement. The team had to position subwoofers to meet decibel standards while maintaining sound quality throughout the venue. Their solution involved a central cluster of three subwoofers in cardioid mode, requiring the creation of new rigging points to achieve a visually discreet result.

The final installation features L/R hangs of one L2D per side, flanked by L/R hangs of two KS21 subwoofers in cardioid mode, a central flown cluster of three KS28 subwoofers, also in cardioid, plus one KS28 at the centre of the stage floor. Two X8 placed on stage left and right serve as in-fills, while three X8 spread across the stage provide X8 lip-fill.

The L-Acoustics team were integral to the process, with Valensi praising L-Acoustics training consultant Christophe Chapuis for comprehensive technician training and L-Acoustics Application Engineer Pascal Charousset for meticulous system calibration and fine tuning of the system to meet their exact requirements.

**Studio-Quality Sound in a Live Performance Environment**

"This isn't just a sound system—it's like we've brought a world-class recording studio into a live music venue," Valensi enthuses. "Visiting sound engineers are initially skeptical when they see the compact setup but within seconds of hearing it, their doubts vanish. Areas that once presented acoustic challenges are now sonically indistinguishable. We've ensured La Cartonnerie's reputation for exceptional sound and hope it will inspire the next generation of artists and audiences."

For more information on La Cartonnerie, visit [www.cartonnerie.fr.](www.cartonnerie.fr.) Learn more about L-Acoustics, L-ISA immersive audio, and the L Series concert sound systems at www.l-acoustics.com.

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts. 

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.
With major hubs in Paris, Los Angeles, London, and Singapore and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences, from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall. 

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.  
 
Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies. 

With major hubs in Paris, Los Angeles, London, and Singapore and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences, from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.  


L-Acoustics L Series Technology Overcomes Acoustic Complexity to Enhance Sonic Landscape at Reims' La Cartonnerie

![LA_Helsinki Music Centre_01.jpg](https://res.cloudinary.com/olex/image/upload/v1743680579/LA_Helsinki_Music_Centre_01_8161cc598b.jpg)

Helsinki Music Centre, home to Finland's two most prestigious orchestras, has completed a significant technical renovation featuring an L-Acoustics L Series loudspeaker system as its centrepiece. The audio upgrade, part of a larger renovation that included lighting systems and new mixing consoles, provides superior coverage and clarity in the venue's challenging acoustic environment while elegantly overcoming previous architectural and sight line constraints.

**Sustainable sound solutions: upgrading while preserving **

The 1,700-seat concert hall, which hosts approximately 1,500 events annually across its various spaces, presents unique challenges for amplified performances. Hosting international artists, television productions, and radio broadcasts in addition to classical music, the hall requires a solution that could deliver clear, controlled sound throughout its unusual 360-degree seating configuration.

"The reverberation time in the hall is quite long, which is a challenge for events with amplified sound," explains Jori Tossavainen, Head of the studios at Helsinki Music Centre. "Our goal for this upgrade was to improve coverage, achieve clarity throughout the space and to better manage noise pollution especially for the seating areas beside and behind the stage."

The installation, executed by L-Acoustics Certified Provider Intersonic, demonstrates a commitment to sustainability by intelligently repurposing the venue's previous L-Acoustics systems. The existing Kara system, previously in the main left-right positions, was repositioned to manage rear coverage in the 360-degree configuration. Additionally, the venue's original Kiva system, which predated the Kara installation, was redistributed to improve coverage in the balcony areas - creating an economically and ecologically conscious solution that maximises value while minimising waste.

**Precision engineering: overcoming architectural challenges **

A key challenge in the venue's sound system evolution has been negotiating architectural constraints with acoustic needs. The earlier Kiva system had been positioned above a high acoustic canopy approximately 15 meters above the stage - an architecturally driven decision that created severe coverage issues, particularly for front rows. The subsequent Kara system improved matters by being positioned below the canopy but still had to be placed well in front of the stage and over the audience due to size limitations.

"The main goal was to move the PA rigging points to a better place," notes Tossavainen. "Since L2 is so much smaller, while delivering even better SPL and coverage, we could place it below the canopy and position it properly over the stage rather than the audience - which also had the benefit of clearing sightlines for the lighting and video teams."

The comprehensive solution now features 22 discrete loudspeaker arrays throughout the venue. The main system consists of two L/R arrays of one L2 over one L2D to cover the main parterre seating area. Two arrays of four Kara II cover the side seating while two further arrays of six Kara II each cover the rear audience area. Twelve arrays of three Kiva distributed throughout the space provide even coverage for the balcony sections. Low frequency extension is provided by a centrally flown hang of four KS28 subwoofers, which can be operated in either standard or cardioid mode depending on event requirements. The system is powered by four LA7.16i, one LA12X, three LA4X and seven LA8 amplified controllers.

**Inherent cardioid design: managing noise in complex environments **

The L2's inherent cardioid capabilities have proven particularly valuable in controlling sound in the challenging 360° seating arrangement. "The main challenge in this hall with 22 speaker hangs is the noise pollution when they combine together," explains Pauli Molnar, Sales Manager at Intersonic. "The inherent cardioid capability of L2 is helping us significantly with the long reverb time, especially in the low-mids and lows. It really reduces the noise pollution and makes the sound much clearer."

The team initially deployed the system in cardioid mode but later switched to supercardioid to better serve side-seated audience members who sit significantly closer to the arrays than those in rear positions.

A key advantage of the L Series system was its smaller form factor compared to alternatives. "When we first saw L2, I thought, 'That is not for us,'" admits Siitari. "But when we reviewed the Soundvision modelling, it was like, 'Wow, this can't be real.' It fits so nicely in this auditorium and it's so compact."

**Advanced Adaptability: Software-controlled precision **

The versatility of the L Series system has already proven valuable beyond standard concert applications. In a recent television production at the venue, engineers utilised Soundvision software and LA Network Manager to electronically adjust the D-min settings on the L Series. This allowed them to precisely remove coverage from approximately ten front rows where a catwalk and discussion area had been built, creating a clean cut-off point for high frequencies without any physical adjustments to the rigging.

"It worked scarily well," notes Oliver Siitari. "I could see the exact point where I wanted the sound to start in Soundvision's detailed CAD integration, and it was like cutting with a knife—the high frequencies all of a sudden came back exactly where needed. Previously, we'd have to mute the lowest speakers and try tilting arrays, which was neither as fast nor as efficient."

The subwoofer arrangement provides additional flexibility, with four KS28 hung in the centre of the venue that can operate in either cardioid or omnidirectional mode depending on the seating configuration and program material. "Especially with subs, 360-degree venues are difficult in many ways," adds Siitari, Head of Sound at Helsinki Music Centre. "But hanging them all in the same place in the dead centre works best in this hall."

**Seamless Integration: Performance meets Aesthetics **

While some stakeholders initially expressed concerns about visual impact, particularly regarding the positioning of subwoofers in front of the venue's newly installed, visually striking pipe organ, the overwhelmingly positive feedback from engineers and audiences has validated the design decisions.

"The coverage and tonality from the L2 has been exceptional," confirms Tossavainen. "People who have mixed here before and return now have given nothing but positive feedback. There's a lot happening that's invisible to the naked eye — like dramatically improving clarity and definition throughout the hall — that's been a big part of the success. I think we're now at a point where all teams, including those previously concerned about visual impact, recognise the value of the system, and the results speak for themselves."
For more information, visit www.l-acoustics.com 

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.


Helsinki Music Centre Selects L-Acoustics L Series for Superior Sound Clarity and Architectural Integration

![Shure x Haivision.png](https://res.cloudinary.com/olex/image/upload/v1744623499/Shure_x_Haivision_87e2718eef.png)

[Shure](https://www.shure.com/en-GB), a global leader in audio technology, has announced its collaboration with Haivision, the world leader in live video contribution solutions. By joining forces, [Shure’s MoveMic wireless microphones](https://www.shure.com/en-US/performance-production/movemic) can now be paired directly to mobile devices within Haivision’s MoJoPro app without the need for an external MoveMic Receiver and without blocking the USB connector on the mobile device. This collaboration ensures mobile journalists, professional broadcasters and content creators deliver high-quality video content with the most streamlined set up.

Haivision’s MoJoPro is a free mobile phone camera app designed for professional live broadcasting that features video return, audio intercom, and video editing to enable live video transmission anywhere, anytime. Users can now pair two MoveMic wireless lavalier microphones within the MoJoPro app- one for the interviewer and one for the interviewee—providing two channels of high-quality audio for live broadcasts and video recordings.

“When conducting interviews, high quality video is important and so is clear audio. This is why we’re excited to announce that our MoJoPro mobile camera app now natively supports two channels of audio with the extremely small yet powerful Shure MoveMic microphones,” said Samuel Fleischhacker, Director of Product Management at Haivision. “By combining Haivision’s world-leading live video contribution solutions with the great sound quality that Shure is known for, professional journalists and sports broadcasters can deliver great content while viewers at home are able to clearly follow the story.”

Achim Gleissner, Senior Director, Corporate Development at Shure adds, “For mobile journalists constantly on the move and needing to capture critical news with no time to spare, MoveMic Wireless Microphones paired with Havision’s MoJoPro is a game changer. Its quick and easy connection ensures reporters can be up and running with superior audio in seconds, without the hassle of tangled wires and remaining at the forefront of breaking news”.  

“Today, video journalist reporters do not hesitate to use their smartphones in addition to their cameras to capture news on the spot and be even more reactive... but the sound quality is not always up to the mark. At France Télévisions, we have worked on optimizing our capture tools, and we are thrilled to see the collaboration between Shure and Haivision,” says Jean-Luc Hachon, Delegate for Operations Coordination and Development, France 3 Nouvelle Aquitaine.

“There is no doubt that by combining high-quality live video transmission with excellent sound quality, this lightweight, practical, and direct-to-phone solution will provide additional agility. It is great news for the profession that Shure and Haivision have combined their expertise to make both systems fully compatible,” Hachon added. 

To experience the MoJoPro app and its integration with [Shure MoveMic Wireless Microphones](https://www.shure.com/en-US/performance-production/movemic), download the app here or visit Shure at booth #N1229 in NAB Show in Las Vegas next April 6-9. 


**About Shure**
Shure (www.shure.com) has been helping people sound extraordinary for 100 years. Founded in 1925, the Company is a leading global manufacturer of audio equipment known for quality, performance, and durability. Shure offers microphones, wireless microphone systems, in-ear monitors, earphones and headphones, conferencing systems, and more. For critical listening, or high-stakes moments on stage, in the studio, and in the meeting room, Shure is the trusted solution.

Shure Incorporated is headquartered in Niles, Illinois, in the United States, and includes more than 30 manufacturing facilities and regional sales offices throughout the Americas, EMEA, and Asia.


Shure Partners with Haivision to Deliver Broadcast Quality Audio for Mobile Journalists

![LA_Soundvision_EASE_01.jpg](https://res.cloudinary.com/olex/image/upload/v1743680109/LA_Soundvision_EASE_01_5634e94ad3.jpg)

L-Acoustics announces a strategic collaboration with AFMG, developers of EASE 5 (Enhanced Acoustic Simulator for Engineers). The partnership creates a seamless workflow between L-Acoustics Soundvision, an industry-leading 3D acoustic modeling software that allows sound designers to predict and optimize audio performance with exceptional accuracy, and AFMG's EASE, the brand-agnostic industry standard for acoustic simulation.

The new integration allows sound designers and acoustic consultants to effortlessly transfer their L-Acoustics system designs created in Soundvision directly into EASE 5, providing unprecedented workflow efficiency while maintaining acoustic accuracy across both platforms.
"Designing with L-Acoustics products in EASE 5 has never been this easy," said Ryan John, Director of Product Management, Software at L-Acoustics. "This collaboration with AFMG represents our ongoing commitment to providing audio professionals with tools that enhance their workflow efficiency without compromising on acoustic precision."

**Key Features **

The latest Soundvision release, available now, includes an EASE 5 export feature that delivers numerous benefits to audio professionals. Sound designers can now transition from Soundvision to EASE 5 with a seamless workflow, eliminating tedious manual recreations and ensuring perfect consistency between both platforms. The new functionality fully supports all L-Acoustics line sources, colinear sources, and coaxial loudspeakers, including L Series, giving designers comprehensive coverage of main speaker systems while maintaining accurate acoustic modeling capabilities.

One of the most significant advantages of the new export capability is consistency between platforms. Extensive analysis confirms that acoustic results in Soundvision and EASE 5 remain within a remarkable 0.5 dB tolerance of each other, so predictions remain reliable on both platforms. Particular attention is paid to safety. Designers can ensure the mechanical safety of all the sources in their system design directly in Soundvision before exporting to EASE, maintaining critical safety parameters throughout the process.

The collaborative solution enables the complete export of the physical deployment of all sources within the system design, preserving exact positioning, aiming, and array configurations. Additionally, the new workflow automatically exports the L-Acoustics advanced Autofilter algorithm, ensuring that the sophisticated processing that defines the L-Acoustics signature sound quality is accurately represented in EASE 5 simulations without the need for manual GLL optimization.

The new export feature addresses a longstanding industry need for smoother interoperability between specialized design tools, allowing professionals to leverage the strengths of both platforms without duplicating work.

"The multi-faceted integration with L-Acoustics Soundvision brings exceptional value to EASE 5 users, and furthers our commitment to integrate with leading manufacturer software," said Stefan Feistel, Managing Director of AFMG. "The ability to seamlessly import L-Acoustics systems with their precise acoustic properties and advanced filter algorithms maintains design integrity throughout the entire workflow."

**Availability**

The new EASE 5 export feature is available now in Soundvision 3.13.1, which can be downloaded from the L-Acoustics website at https://www.l-acoustics.com/products/soundvision/

**About L-Acoustics**


L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.



L-Acoustics Announces Collaboration with AFMG on EASE 5 Integration,  Enhancing Soundvision Workflow

![LA_Papaya Beach Club_01©Dino_Ninkovic-2023-62cc (1).jpg](https://res.cloudinary.com/olex/image/upload/v1743439227/LA_Papaya_Beach_Club_01_Dino_Ninkovic_2023_62cc_1_9f248f2309.jpg)
(©Dino_Ninkovic)

With an enviable location on Croatia's celebrated Zrće Beach, Papaya Beach Club has electrified the European music scene since 2002. This iconic nightlife mecca catapulted to global fame, when it clinched the 10th spot on DJ MAG's prestigious World's Best Clubs list in 2022. For over two decades, Papaya has pulsated with the rhythms of legendary festivals and A-list DJs, from Tiesto to Calvin Harris to Paul Van Dyk. The titans of electronic music have graced its decks as Papaya Beach Club has carved its place in dance music history, cementing its status as Croatia's ultimate party paradise.

And now, the iconic club has partnered with L-Acoustics to install a state-of-the-art professional sound system. "Our vision was to transcend the limitations of rental equipment and create our own dedicated future-proof audio system," explains Luka Udovičić, Production Manager at Papaya Beach Club. "We sought a system that would allow us to showcase our creative potential for performance acoustics and ensure we remain at the cutting edge of audio technology for years to come."

The decision to install L-Acoustics A Series was driven by the brand's reputation for excellence and the superior service provided by L-Acoustics Certified Partner for Croatia, Dicroic. "In professional audio, L-Acoustics reputation stands unparalleled, for transforming the listening experience," Udovičić emphasises. This partnership allowed Papaya to transition from relying on rental equipment to owning a cutting-edge system tailored to their unique needs.

Designing an audio system for Papaya Beach Club presented unique challenges. The venue's open-air layout, proximity to the sea, and exposure to strong winds demanded a solution that could deliver exceptional sound while withstanding harsh environmental conditions. Udovičić reflects on these challenges "Our location is both our greatest asset and our greatest adversary, we required a system robust enough to withstand the ravages of the sea, and precise enough to deliver crystal-clear sound across our expansive space.”

Dicroic, tasked with the system design, leveraged L-Acoustics Soundvision software to create a bespoke solution. The software's precise modelling capabilities were instrumental in optimising speaker placement and performance, especially given the venue's distinctive white shell-shaped stage and multi-level layout.

Udovičić explains that the design process was made more difficult due to the stage height. “We were strict about pinpointing speaker locations. Each component was strategically positioned to create a harmonious sound field that defies our open-air challenges." The resulting installation is a testament to the versatility and power of L-Acoustics.

The system comprises 16 A15i Focus and two A15i Wide line array speakers, complemented by four KS21 and eight KS28 subwoofers for robust low-end performance. Six X12 and two X8 speakers serve as fills for the elevated VIP areas, ensuring uniform coverage throughout the venue. DJ monitoring is provided by two A15i Focus and two KS21 per side. The system is powered by four LA12X and eight LA4X amplified controllers.

Feedback on the new system has exceeded expectations. “Our new L-Acoustics system provides partygoers with the sonic clarity, power, and reliability required for world-class performances,’ says Udovičić.  This upgrade ensures that Papaya remains at the forefront of Croatia's music scene, offering an unparalleled audio experience to its diverse and discerning clientele.

As Papaya Beach Club enters a new era of sound excellence, the L-Acoustics professional sound system stands ready to enhance every performance, from after beach fun to spectacular night parties and renowned festival events, further cementing the venue's status as a global entertainment destination.

For more information about Papaya Beach Club, visit www.papaya.com.hr. To learn more about L-Acoustics innovative audio solutions, visit www.l-acoustics.com.

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.

DJ Mag Top Ten-Ranking Papaya Beach Club Chooses Weather-proof L-Acoustics A Series Professional Sound System

![LA_NTU_London_01 (1).jpg](https://res.cloudinary.com/olex/image/upload/v1743088999/LA_NTU_London_01_1_473ec1951e.jpg)

Nottingham Trent University (NTU) has unveiled its new campus in Whitechapel, London, with the launch of NTU London. The venue, located in the heart of London's creative scene, features a cutting-edge, up to 600-capacity performance space equipped with an L-Acoustics Kara II line array professional audio system—delivering the same technology used at the world's largest music festivals while providing hands-on learning for aspiring live sound engineers. The system was designed and installed by L-Acoustics Certified Provider Solotech, following a specific request from NTU staff members who are themselves Nottingham campus alumni and wanted to continue their success with L-Acoustics technology.

**Educational Excellence Meets Real-World Audio Standards**

Building upon the success of NTU’s Nottingham Metronome venue, where Solotech installed an L-Acoustics Kiva II system in 2018, the London campus required a sound solution that could scale up to meet the needs of its larger performance space, while maintaining the critical educational element of working with industry-standard audio equipment. The venue is designed to serve both as a commercial performance venue for touring acts and as a space where students gain practical experience using the same equipment they will encounter throughout their careers.

The Kara II professional audio system is part of L-Acoustics' renowned K Series, which includes the flagship K1 and K2 systems—the most-requested sound systems by touring artists and festival engineers worldwide. By training on Kara II, students work with technology that shares the same sonic signature and design principles as these industry-standard systems.

"We wanted to create an environment where students could transition seamlessly from classroom theory to real-world application," says Bryan Rankin, Head of Technical Events at NTU. "The Kara II system mirrors the professional setups our graduates will use in the field. Having this technology available in-house gives our students a distinct advantage as they enter the industry."

Students will gain comprehensive experience with the entire L-Acoustics ecosystem, including hands-on opportunities to practice rigging the systems, work with the LA Network Manager drive system, and utilise the M1 measurement module for system optimisation. The program also includes training with L-Acoustics Soundvision simulation software, allowing students to model audio coverage and make informed adjustments before physical setup—an increasingly essential skill in the professional audio world.

**Urban Acoustic Isolation Challenges Solved by Precision Design**

The installation process presented several challenges, particularly related to the venue's height restrictions and the need for acoustic isolation in a densely populated area. The design of the venue included a fully floated room-in-room construction to minimise sound transmission to neighbouring spaces.

"With residential buildings and music studios nearby, we needed to go beyond standard isolation techniques,” says Rankin. “The floating design and specialised mounting solutions allowed us to maintain high-performance levels while ensuring minimal disruption to our neighbours—an absolute necessity in this bustling area of London."

Whitemark the Acoustic Architects suggested the use of specialised solutions such as acoustic springs (from Christie and Grey) for the main speaker arrays and isolated plates for the subwoofers to mitigate the risk of transmitting vibrations through the concrete floor.

**Compact Footprint with Comprehensive Coverage**

The system design was carefully optimised using L-Acoustics Soundvision software, enabling Ross Brett, Application Project Manager, and the team to precisely model and adjust the coverage before installation. This digital simulation approach was instrumental in overcoming the venue's architectural constraints and ensuring even sound coverage throughout the space.

The L-Acoustics professional audio system includes two hangs of six Kara II with six flown SB18 subwoofers, three per side behind the main hangs. Two ground-stacked KS28 subwoofers are placed on isolated plates to prevent vibrations on the concrete floor. Eight X12 coaxial enclosures are on hand for monitors, and the whole system is powered by 11 LA2Xi and two LA12X amplified controllers with a P1 processor. 

"Height restrictions meant we had to get creative with our design," Rankin continues. "We prioritised even coverage over sheer volume, which was a perfect fit for our educational goals. The Kara II system delivers the high-end sound quality needed for professional performances while also providing an accessible training environment for students."

**Professional Technology Powering Next-Generation Audio Careers**

For Rankin, the Kara II professional audio system represents more than just a technical solution—it is a cornerstone of NTU educational philosophy. "This system ensures that our students get hands-on experience with the same professional audio systems they'll encounter throughout their careers," he concludes. "Our L-Acoustics professional sound system is not just about delivering great sound; it's about preparing the next generation of audio engineers to excel in the real world by understanding the complete ecosystem of modern audio production, from simulation and setup to performance and measurement."

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.


Nottingham Trent Alumni Select L-Acoustics Kara II Professional Audio System for NTU London's Education-Performance Venue

![Joe Lyske.png](https://res.cloudinary.com/olex/image/upload/v1743009354/Joe_Lyske_654bd5358d.png)

The white paper, an output of DAACI's Innovate UK funded grant research portfolio, is a timely response to the recent government copyright and AI consultation and subsequent demands from the music industry. 

**Practical Application Showcases Framework in Action**

In a practical demonstration to industry leaders and stakeholders today, DAACI showed one of the outcomes of their Innovate UK BridgeAI Grant. During the grant, the DAACI research team went beyond the theoretical, creating an app to demonstrate real-life practical application of the DAACI framework. This shows how sample companies, creators, rights holders and artists can be rewarded to a deep level of attribution, whilst creators can access DAACI's assistive technology in the palm of their hand, with peace of mind that they are using an ethical system.

"At BIMM University, we see this collaboration with DAACI as essential to preparing the next generation of music professionals for an AI-augmented industry," notes David Jones-Owen, CEO and Vice-Chancellor at BIMM University. "Our AI_Labs are committed to supporting frameworks that maintain artistic integrity while embracing technological advancement. This project exemplifies how education, technology and industry can work together to create responsible innovation that benefits the entire music ecosystem.”

**Human-Centered Approach Sets New Standard**

Unlike LLMs that train on large data sets of previously written music, DAACI's system involves the human creator from the start, and the white paper explains how this crucial element shows the output of the DAACI system is copyrightable, original music, that can be traced back to show all artistic input, and attribute and compensate accordingly.

The white paper has been sent to the government in response to their Consultation on Copyright and Artificial Intelligence. The consultation, which included proposed softening of copyright laws to allow innovation, met with widespread industry and artist disapproval. Lord Kevin Brennan of Canton recently asked the government to consider ethical solutions such as DAACI's during debate on copyright and AI in the House of Lords and The Baroness Jones of Whitchurch responded with her hope for DAACI to provide its response to the consultation.

"This framework represents a very positive vision for the future of music creation," says Lord Kevin Brennan of Canton. "I’ve been a supporter of DAACI’s approach, which I highlighted in the House of Lords during the recent copyright and AI debate, since 2024. Solutions like DAACI's demonstrate that we can embrace technological innovation while maintaining the integrity and value of creative work, ensuring a sustainable ecosystem for all music professionals."

**Addressing Key Industry Challenges**

DAACI's solution addresses many of the issues around generative AI such as:
- Training data - What goes into large data sets and the issue of artist's control.

- Legal challenges - Is the system making the music copyrightable itself, and is the work it creates copyrightable because it's a computer doing it?

- Who owns the material when it's finished?

Legal, ethical and industry reflection on DAACI’s AI-Generated music compliance mechanism, provided by Cliff Fluet at grant partner Lewis Silkin LLP confirms the following:
- **Legal Compliance:** DAACI's framework ensures AI-generated music meets UK copyright law by requiring significant human creative input.
- **Human Creativity**: Emphasises the necessity of substantial human input for copyright protection, ensuring AI-generated works reflect genuine creativity.
- **Transparent Attribution**: Provides clear tracking of musical contributions, ensuring proper credit and fair remuneration for creators.
- **Ethical Royalty Distribution**: Proposes mandatory opt-in consent, comprehensive creator protection, and fair remuneration for all rights holders.
- **Enhancing Creativity**: Positions DAACI's technology as a tool that enhances, not replaces, human creativity, requiring substantial human input.
- **Algorithmic Transparency**: Ensures full traceability of each creative decision, promoting trust and accountability.
- **Fair Remuneration**: Includes mechanisms for fair compensation, supporting the economic sustainability of the music industry.
- **Opt-In Consent**: Advocates for mandatory opt-in consent for the use of musical works by AI developers, ensuring creators retain control.
- **Creator Protection**: Proposes certification for "Creator-Respecting AI Tools" and standardised metadata tags to signal consent status.
- **Copyright Compliance**: Requires substantial human creative input for AI-generated works to qualify for copyright protection, preventing misappropriation.

"As an author of 79 granted patents DAACI is at the forefront of technological innovation and crucially, we’re passionate about protecting creator and artist rights. Innovation should not come at the expense of other people’s hard work, knowledge and creativity - it’s unacceptable. We must move beyond this and DAACI will lead in this with utmost respect for the industry and people that brought us here," says Dr Joe Lyske, Co-CEO and inventor of DAACI. “DAACI's framework moves us forward, to a world where innovation and respect for artists' rights can go hand in hand. There is a future where the music industry itself provides the solution. We’re creatives, let us solve the problem and get this right with an ethical solution that gives hope for us all.”

**Supporting the Music Industry**

Over 1,000 musicians recently released a silent album in protest at the UK government's planned changes to copyright law. 

UK Music, who DAACI collaborated with for the 2024 All-Party Parliamentary Group on Music inquiry and subsequent report, Artificial Intelligence and the Music Industry – Master or Servant? and who recently supported the Ed Sheeran Foundation’s call for the government to support music in education in the UK, highlighted the practical challenges of the proposed “opt-out” mechanism and risks to the music industry. 

BPI, who supported DAACI through the Music and Tech Springboard Program, has been strongly lobbying against any watering down of copyright protections and arguing the case for the UK’s music industry. The organisation is advocating for the development of a robust licensing system in the UK based on the existing copyright framework, with additional transparency requirements. 

"This framework represents a critical milestone in ensuring AI music generation evolves in a way that respects creators' rights," says Cliff Fluet, Joint Head of Media & Entertainment at Lewis Silkin LLP. "By establishing clear legal parameters and ethical guidelines, DAACI's approach creates a sustainable ecosystem where innovation can flourish while properly valuing and protecting the contributions of all music professionals involved in the creative process.”

The white paper is available for download [here.](https://docsend.com/view/wiaunaxrpcbvbxz2)


**About DAACI**
DAACI develops next-gen smart and AI creative music tools.

Our series of patented technologies empower music makers to meet the rapidly growing demand for personalised music. Our technologies encompass tools that supercharge the creative process dynamically composing new music in real-time, and smart editing systems that seamlessly adapt existing tracks.
Built by a world-class team of musicians and composers, DAACI's technology is based on over 30 years of research. Incorporating a growing portfolio of 79 granted patents and supported by partnerships with the UKRI Centre for Doctoral Training in Artificial Intelligence and Music at Queen Mary University of London and the innovative Abbey Road Red incubator, DAACI is the go-to solution for creators who make and use music.

With our series of pioneering plugins and tools, creators can benefit from our unique approach and our understanding of deep music theory, giving them multiple lifetimes' worth of musical experience at their fingertips.

More information: www.daaci.com 

**About the Innovate BridgeAI Grant to Improve Productivity**

DAACI (lead) partnered with BIMM University and Lewis Silkin LLP

In the emerging Web3.0 world, artificial intelligence (AI) offers composers/artists access to new ways of music generation by adopting generative AI music synthesizers. These Generative AI music tools generate music faster and more affordably compared to traditional methods. However, enormous productivity and efficiency opportunities are being held-up by widespread uncertainty of the legal implications regarding how to licence this AI content, to ensure a fair split between writers, publishers, labels, artists, producers and performers.

This project focuses on the development of an ethics standard for all AI music companies, for royalty distribution to contributing rights holders. This addresses a widely held uncertainty of the legal implications regarding how to licence AI content, to provide a fair split between writers, publishers, labels, artists, producers and performers.

Our project aims to benefit composers and artists by increasing their efficiency and productivity. It will benefit policy makers through a clear ethical framework. Its overall benefit is in consolidating the UK's position as a leader in AI for creative Industries.

Further information about DAACI's grant portfolio: https://daaci.com/social-impact-outreach-education/music-and-ai-grants/


DAACI

DAACI Shares Solutions for Copyright and AI - Ethical, Legal Framework Presented to Government for Generative Music Creation

![LA_Bletchley_Park_02.jpg](https://res.cloudinary.com/olex/image/upload/v1742813891/LA_Bletchley_Park_02_22d91674f0.jpg)

Bletchley Park, the legendary World War II codebreaking heritage site and museum, has further enriched its visitor experience with the opening of the Fellowship Auditorium. This purpose-built venue, unveiled in October 2023, is the latest addition to the Milton Keynes site. The auditorium features 250 seats and is part of a broader development that includes the Diesel House reception area and the Radley Room social space, as well as a new Learning Centre.

The auditorium’s distinctive 180-degree radial seating arrangement presented unique acoustic challenges that required expert attention. L-Acoustics Certified Provider Adlib won the tender to supply the complete audio solution for the space. Tim Robinson, System Designer at Adlib explains that speech intelligibility was paramount for this installation. "The unique configuration of the space, with seats arranged in a 180-degree arc around the stage, meant that crystal-clear speech reproduction was essential. As primarily a lecture venue, every seat needed perfect intelligibility."

L-Acoustics Soundvision played a crucial role in the system design process, enabling Adlib to model and verify proposed solutions while providing visualisation tools that helped other trades understand the final implementation. "Soundvision was invaluable not just for technical modelling, but also for helping everyone involved visualise the end result," Robinson explains. "Being able to show realistic 3D renders to the client and other contractors made a huge difference in communicating our vision for the space and coordinating with other trades who are not used to dealing with professional loudspeaker systems."

The project presented unique design considerations where the primary objective was to ensure sound would come from directly in front of every listener, rather than being biased towards one ear or another. This led to an innovative approach using a monaural system with a single source.

The installation comprises six horizontally arrayed L-Acoustics A10i Wide constant curvature enclosures providing the requisite 180 degrees of coverage, complemented by two KS21i compact subwoofers. The system is powered by LA4X and LA2Xi amplified controllers, providing precise control and optimal performance across the entire frequency range. The horizontal array configuration, facilitated by A10i-LIFT rigging elements and various linking plates, ensures even coverage throughout the space.

"We knew a fixed-curvature line source would be perfect for this application," says Robinson. "The coverage pattern of the A10i Wide was exactly what we needed, and its compact size meant we could achieve excellent results without overwhelming the space. The adjustable HF pattern control was particularly useful in managing reflections from the ceiling and the optional front screens were specified to minimise the system’s visual impact."

Users have been highly impressed with the system. While speech intelligibility was the primary focus of the installation, it has surpassed expectations in both performance and versatility. Its outstanding quality has even led internal event managers to plan a conference featuring a live musical performance, confident in the PA system’s capabilities.

The successful integration of L-Acoustics technology at Bletchley Park's Fellowship Auditorium demonstrates how modern sound reinforcement solutions can enhance historical venues while respecting their unique character and requirements. The installation sets new standards for audio clarity in educational and cultural spaces, ensuring that visitors to this historic site can fully engage with its rich history and ongoing legacy.

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.

**About Bletchley Park**

Bletchley Park is a vibrant heritage attraction and museum, open daily to visitors. It was the home of British World War Two codebreaking; a place where technological innovation and human endeavour came together to made ground-breaking achievements that have helped shape the world we live in today.  

This unique site was previously a vast Victorian estate, where parts including the Mansion still survive, expanding during wartime to accommodate Codebreakers Huts and Blocks. During World War Two, the Government Code and Cypher School (GC&CS), now known as the Government Communications Headquarters (GCHQ), was based at Bletchley Park.  

It grew from a small team of specialists to a vast intelligence factory of thousands of dedicated women and men. This extraordinary combination of brilliant and determined people and cutting-edge technology contributed significantly to Allied victory. In tough conditions, they provided vital intelligence and developed pioneering technological innovation that had a direct and profound influence on the outcome of the war.  

The site continues to reveal secrets and tell fascinating stories of our national legacy.  
www.bletchleypark.org.uk



L-Acoustics A Series Delivers Superior Speech Intelligibility at Historic Bletchley Park's New Fellowship Auditorium

![LA_FastCompany _01 ©Matthew Murphy.jpg](https://res.cloudinary.com/olex/image/upload/v1742396797/LA_Fast_Company_01_Matthew_Murphy_8825282299.jpg)
*(photo credit: Matthew Murphy)*

L-Acoustics is proud to announce that it has been named for the third time to Fast Company's prestigious annual list of the World's Most Innovative Companies of 2025, reaching #2 on the list of top innovative companies in the events, concerts, and live experiences industry, recognized specifically “for changing the way Broadway shows sound.”

The prestigious 2025 list celebrates companies that consistently drive innovation and shape the future of their industries—a principle that has guided L-Acoustics since its founding, from pioneering line array technology to today's cutting-edge immersive sound solutions.

"Being recognized by Fast Company as a top innovator for the third time in six years is both an extraordinary honor and a testament to the ongoing commitment to innovation at L-Acoustics," says Laurent Vaissié, CEO at L-Acoustics. "This recognition reinforces our mission of connecting humans through the best shared sound experiences and our dedication to continually pushing sound forward through engineering and creativity in a sustainable way."

L-Acoustics continues to build upon its legacy of groundbreaking innovations that began with the invention of the modern line array over thirty years ago with V-DOSC. The company's relentless pursuit of excellence in sound reinforcement has led to the development of L-ISA immersive technology, which has revolutionized spatial sound experiences, notably in the 2024 Tony-winning musical The Outsiders. For this production, sound designer Cody Spencer utilized L-ISA paired with the newly launched L Series speakers throughout the entire show, creating an immersive audio experience for all scenes, including a particularly challenging rumble sequence with its on-stage rain curtain. The exceptional sound clarity and compact footprint of L Series enabled precise sonic projection, helping Spencer earn the Tony Award for Best Sound Design for the musical.

Beyond its performance capabilities, L Series also represents a significant advancement in eco-design principles. Compared to traditional line arrays, L Series offers significant material savings: using 56% less paint, 30% less wood, and 60% less steel in the manufacturing process. It is 30% less voluminous and 25% lighter than similar systems, simplifying logistics and reducing transport emissions. This dual commitment to sustainability and performance excellence earned particular recognition from Fast Company judges, who noted the company’s leadership in transforming live experiences while addressing environmental concerns.

The World's Most Innovative Companies stands as Fast Company's hallmark franchise and one of its most anticipated editorial efforts of the year. To determine honorees, Fast Company's editors and writers review companies driving progress around the world and across industries, evaluating thousands of submissions through a competitive application process.

"Our list of the Most Innovative Companies offers both a comprehensive look at innovation today and a playbook for the future," said Fast Company editor-in-chief Brendan Vaughan. "This year, we recognize companies that are harnessing AI in deep and meaningful ways, brands that are turning customers into superfans by overdelivering for them, and challengers that are introducing bold ideas and vital competition to their industries. At a time when the world is rapidly shifting, these companies are charting the way forward."

The full list of Fast Company's Most Innovative Companies honorees can now be found at fastcompany.com.

**About L-Acoustics**

L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.

**About Fast Company**

Fast Company is the only media brand fully dedicated to the vital intersection of business, innovation, and design, engaging the most influential leaders, companies, and thinkers on the future of business. Headquartered in New York City, Fast Company is published by Mansueto Ventures LLC, along with fellow business publication Inc. For more information, please visit fastcompany.com.



L-Acoustics Named to Fast Company's Annual List of the World's Most Innovative Companies for 2025 

![LA_Israel_Expo_Centre_01.jpg](https://res.cloudinary.com/olex/image/upload/v1742204992/LA_Israel_Expo_Centre_01_7cc0a5ad1d.jpg)

The Israel Expo Centre has undergone a significant audio upgrade with the implementation of L-Acoustics L-ISA Hyperreal technology for the two-and-a-half-month Tozeret Haaretz event series. This marks a pivotal shift from traditional temporary sound systems to a consistent, high-precision audio environment capable of accommodating varied performance requirements while maintaining exceptional sound quality.

Sincopa, an L-Acoustics Certified Provider with over 20 years of industry expertise, engineered a flexible 7.1 frontal configuration that addresses the venue's specific acoustic challenges while providing accurate sound reproduction for audiences of up to 6,500 attendees.

**Advanced Multi-Array Design Optimises Coverage and Spatial Definition**

The technical implementation features five main hangs of one L2 and one L2D, complemented by two extensions of nine Kara II loudspeakers on each side. This multi-array approach significantly enhances spatial localisation—precisely placing sound sources across the stage while eliminating the narrow "sweet spot" limitations of conventional stereo setups. Low-frequency reproduction is managed through two center-flown arrays of three KS28 subwoofers, while a pair of Syva colinear speakers provide out-fill. Seven Kara II places along the stage provide spatial front-fill. The entire system is fed directly from an L-ISA Processor II in an AVB Redundant network and powered by ten LA7.16 and thirteen LA12X amplified controllers.

"The exceptional SPL-to-weight ratio of L2, combined with its 140° horizontal dispersion at the bottom of the array, makes it ideal for this application," explains Assa Efrat, Sound Engineer at Sincopa. "Transitioning from a conventional left-right configuration to this multi-array design significantly reduces masking effects and enhances intelligibility, particularly in the critical midrange frequencies where vocal intelligibility and instrumental definition are most perceptible."

**Streamlined Workflow for Visiting Engineers via L-ISA Controller**

To facilitate rapid adoption of L-ISA technology, Sincopa established an on-site pre-production studio where visiting engineers can familiarise themselves with the L-ISA Controller software before live events and prepare their show file before their show. This preparation environment allows for spatial mixing strategies to be developed and tested prior to moving into the main venue.

Yair Goren, a sound engineer working on the Tozeret Haaretz series, notes the technical advantages: "The L-ISA Processor's 96 input channels and object-based mixing capabilities allow for much more precise placement of critical sound elements in the soundfield. The difference between traditional matrix-based systems and this object-based approach is immediately apparent—I'm able to achieve significantly greater separation between elements and maintain consistent imaging regardless of listener position. The pre-production environment with L-ISA Controller allows me to pre-configure source placements and spatial parameters, substantially reducing setup time during changeovers."

**Technical Innovation Establishes New Standard for Israeli Production**

"This implementation demonstrates how a properly designed multi-array frontal configuration can deliver many of the perceptual benefits of larger immersive systems without the installation complexities," Efrat concludes. "The quantifiable improvements in clarity, definition, and localisation make this approach particularly valuable for venues with diverse programming requirements."

For more information about Sincopa, visit https://sincopa2002.co.il/en/. Learn more about L-Acoustics at [www.l-acoustics.com](https://www.l-acoustics.com/).

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts. 

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall. 


L-Acoustics L-ISA Hyperreal Technology Optimises Sound Localisation and Clarity at Israel Expo Centre's Tozeret Haaretz Series

![LA_Milan_Manager_01.png](https://res.cloudinary.com/olex/image/upload/v1741886477/LA_Milan_Manager_01_7d29a8bf99.png)

Following the successful launch of Milan Manager at InfoComm 2024, d&b audiotechnik and L-Acoustics announce the launch of milanmanager.com a dedicated website for accessing this innovative network management solution. The platform serves as a unified resource for audio professionals and manufacturers seeking to implement Milan-AVB networks across various applications. The website provides a centralised, manufacturer-neutral location where all users can download Milan Manager software free of charge.

The launch of a dedicated Milan Manager website coincides with the release of Milan Manager V2.0. This major upgrade includes many new features, the most significant being the addition of an advanced offline mode that enables the pre-configuration of Milan-AVB networks using an embedded library of certified products. Designs can then be saved as a file for future use or directly applied to the devices once they are connected to the network.

The introduction of milanmanager.com and Milan Manager V2.0 marks a significant step in promoting the widespread adoption of Milan-AVB technology. Recently recognised by Mix Magazine with the Best of Show award, the Milan Converged Media Network specification and certification continues to demonstrate its value to the professional audio community. This initiative demonstrates both companies' commitment to fostering an open ecosystem that benefits the entire professional audio industry.

"The launch of milanmanager.com represents a milestone in simplified network management," said Genio Kronauer, Executive Director of R&D, Technologies and Platforms at L-Acoustics. "This dedicated platform demonstrates our commitment to making Milan-AVB technology accessible to the entire professional audio community."

"By providing a neutral, centralised resource for Milan Manager, we're fostering broader adoption of Milan-AVB networks across the industry," said Matthias Christner, Head of R&D Systems & Technologies at d&b audiotechnik. "This platform will serve as a foundation for continued collaboration and innovation."

d&b audiotechnik and L-Acoustics remain actively committed to receiving feedback from the professional audio industry, particularly members of the Avnu Alliance. This ongoing dialogue ensures Milan Manager continues to evolve to meet the needs of the broader professional audio community.

Milan Manager continues to be free to use and provides essential features including automatic device discovery, streamlined network configuration, and real-time status monitoring. The software's intuitive interface allows users to efficiently manage Milan-AVB networks of any scale while maintaining optimal performance.

For more information and to download Milan Manager, visit: https://milanmanager.com/

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts. 

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall. 

**About d&b audiotechnik.**
d&b audiotechnik provides professional audio technology and solutions to accurately transfer passions through high-end quality speech and music reproduction. d&b audiotechnik is internationally regarded as a leading company for sound reinforcement systems in installed and mobile applications, with a reputation for quality of construction, standard of service, system integration principles, and pioneering technological development.

Founded in Germany in 1981, d&b audiotechnik headquarters are located in Backnang, near Stuttgart, where research, development and production take place. With sales offices in major cities around the world, the d&b audiotechnik team numbers more than 1,000 co-workers. www.dbaudio.com.

d&b audiotechnik is part of d&b group which provides professional audio technology and AVLM solutions to create memorable, multisensorial experiences.

L-Acoustics and d&b audiotechnik Launch Dedicated Milan Manager Website

![Counterfeit Photo 1.jpg](https://res.cloudinary.com/olex/image/upload/v1741786805/Counterfeit_Photo_1_1d2813ee30.jpg)

In May 2023, Shure received information about a network of nine entities in China exporting counterfeit audio equipment to Southeast Asia. The network operated more than 80 separate online stores selling to customers in Vietnam, Thailand, Indonesia, Malaysia, and Philippines. 

Shure, working through IP services business Rouse and its strategic partner firm, Lusheng, collaborated with two other audio equipment manufacturers to launch coordinated action against the counterfeit operation.

China’s police force in the province, the Guangdong Province Public Security Bureau (PSB) launched simultaneous raids against the targets, seizing counterfeit products onsite at several locations in August 2023. The PSB investigated the trading company at the heart of the network and through careful forensics, discovered records showing more than $1.7 million USD in sales of counterfeit products from various international brands, including nearly $900,000 USD of counterfeit Shure products.

The case concluded in December 2024 with seven suspects sentenced to imprisonment ranging from two to four and a half years and fines totaling $1.1 million USD. Shure and one other participating brand also concluded settlement agreements with the suspects for considerable compensation.

“We are grateful to China’s PSB, prosecutors, and courts for showing determination to fight these counterfeit crimes,” said Eric McAlpine, Shure’s Vice President and Chief Legal Officer. “Counterfeit products hurt everyone, including customers and authorized retailers, and we will continue to protect our brand from these illegal activities. Shure has been in business for 100 years and we want our customers to experience the quality of a genuine Shure product.”

Shure recommends customers only purchase Shure products through authorised retailers.

**About Shure**
Shure (www.shure.com) has been helping people sound extraordinary for 100 years. Founded in 1925, the Company is a leading global manufacturer of audio equipment known for quality, performance, and durability. Shure offers microphones, wireless microphone systems, in-ear monitors, earphones and headphones, conferencing systems, and more. For critical listening, or high-stakes moments on stage, in the studio, and in the meeting room, Shure is the trusted solution.

Shure Incorporated is headquartered in Niles, Illinois, in the United States, and includes more than 30 manufacturing facilities and regional sales offices throughout the Americas, EMEA, and Asia.



Shure Scores Major Victory Against Product Counterfeiting Network

![LA_ PavillonNaftule_01Credit-Cedric-Penet.jpg](https://res.cloudinary.com/olex/image/upload/v1741695657/LA_Pavillon_Naftule_01_Credit_Cedric_Penet_f373fb7234.jpg)

Pavilion Naftule, a new 1,200-square-metre pop-up performance space specialising in comedy, has completed its debut season at Lausanne's Place Bellerive using a comprehensive L-Acoustics hyperreal immersive audio solution. Named after the late Pierre Naftule, a respected regional comedy producer, the dismantlable venue attracted nearly 30,000 spectators across 100 performances featuring a diverse program of comedy and musical productions. To address the unique challenges of a temporary structure hosting up to 15 performers onstage simultaneously, Pavilion Naftule partnered with L-Acoustics Certified Provider Hyperson to implement a full-surround L-ISA configuration using the compact yet powerful A Series.

**A Series Solves Mobile Venue's Acoustic Challenges**

The semi-permanent nature of Pavilion Naftule presented specific technical obstacles that required innovative solutions. The theatre's dismantlable structure, six-meter-high stage, and seasonal operation demanded a system capable of delivering consistent vocal clarity while maintaining spatial accuracy across the tiered 456-seat venue.

"Having worked together on multiple productions where L-ISA has proven invaluable, integrating it into Pavilion Naftule was a logical step," explains Fabian Schild, Co-Director at Hyperson SA. "Pavilion Naftule’s Technical Director, having experienced L-ISA's impact at the Corbak Festival for the past three years, was confident it was the right choice for both sound quality and visual aesthetics."

**Remote Pre-Production Enables Seamless L-ISA Implementation**

One of the most innovative aspects of the installation process was Hyperson's unique approach to pre-production. Since the Pavilion was still under construction during rehearsals, the team leveraged their in-house “Auditoria” for advance planning.

“Colin Roquier (Rock Yeah) the lead engineer handled all positioning and tracking from our office ahead of time," notes Fabian Schild. "We recorded rehearsal footage, played it back in our auditorium, and completed all L-ISA positioning in just two days." This remote workflow allowed for precise calibration of the mix even before the venue was physically ready.

**360-Degree Immersive Sound with Precision A Series Deployment**

The installation features a strategic A Series configuration with three clusters at the center each composed of two A15 Focus and one A15 Wide for the main sound system, supplemented on each side of the stage by a cluster composed of two A10 Focus and one A10 Wide. Nine X8 loudspeakers provide spatial front-fill. Six KS21 subwoofers provide extended low-frequency performance, while two LA7.16 and three LA4X amplified controllers power the system.

What sets this installation apart is its true 360-degree immersive environment: twelve X12 coaxial enclosures surround the room, creating an immersive soundscape for comedy performances, making sure the audience hear every word, no matter where they are seated. 

"The L-Acoustics A Series was the ideal choice for Pavilion Naftule," says Lead Sound Engineer Tiercy. "Its compact yet powerful design ensures balanced sound distribution, while L-ISA technology enhances every element of the mix. For both musical and comedy performances, where clarity and spatial accuracy are paramount to audience comprehension and enjoyment, L-ISA creates a more natural and immersive listening experience."

**L-ISA Configuration Ready to Travel with Mobile Venue**

Pavilion Naftule is already planning its next phase of development, exploring expansion to additional sites across French-speaking Switzerland from 2026, with the L-ISA configuration designed to travel with the structure, bringing state-of-the-art spatial audio experiences to new audiences.

"L-ISA has completely transformed how our audiences engage with performances," says Alain Boon, the venue's Technical Director (Jocker’s Comedy Club). "For comedy and musical productions, where every detail matters, spatial audio doesn't just enhance the experience—it deepens the connection between performers and the audience, making every moment more immersive and engaging."

For more information on Pavilion Naftule, visit www.pavillonnaftule.ch. Hyperson SA can be found online at www.hyperson.ch / www.instagram.com/hypersonsa

To learn more about L-Acoustics, visit [www.l-acoustics.com.](www.l-acoustics.com)

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L-Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.


L-Acoustics L-ISA Technology Brings Clarity to New Swiss Mobile Comedy Venue

![Paul and Rian.jpg](https://res.cloudinary.com/olex/image/upload/v1741697221/Paul_and_Rian_5c70b67a2c.jpg)

Sonical, a pioneering audio technology company and the driving force behind Headphone 3.0 and smart audio products, announces a strategic partnership with Paul Watson and Rian Zoll-Khan, Co-Founders of Headliner Group, appointing them as Strategic Advisors. Their extensive experience and connections in the music and audio industry will support the company's mission to revolutionise personal audio through its groundbreaking CosmOS technology.

Sonical’s CosmOS platform is redefining the possibilities of personal audio by providing an open and intelligent operating system for hearables and other smart audio devices. As the industry moves towards more personalised, adaptive listening experiences, CosmOS enables developers to create software-driven solutions that offer users unprecedented control over how they interact with sound, from music and gaming to assistive audio applications.

Paul Watson and Rian Zoll-Khan bring decades of experience in music, media, and technology. As co-founders of Headliner Group, a globally respected publication and platform dedicated to professional audio and music industry innovation, they have strong relationships with artists, producers, and audio professionals. Their strategic guidance will assist Sonical’s mission to help people, by ensuring its technology is embraced by key players in the music and entertainment sectors.

"It's not very often you get to be part of a hugely disruptive technology like Sonical's CosmOS," Paul Watson commented. "What excites me most is the potential to transform how we experience audio. CosmOS isn't just another incremental upgrade – it's a fundamental reimagining of personal audio technology. The ability to give users complete control over their listening experience, whether it's music, gaming, or everyday sound, is truly revolutionary. We are excited to be involved in a technology that could redefine how we interact with sound and help the people that need it most."

Personalised sound therapy is increasingly recognised for its powerful benefits in improving mental wellness. People have long turned to music for its calming effects, whether to help them relax, sleep, focus on tasks, or energise for a big event. These soundscapes can be particularly beneficial for the neurodiverse community, offering a way to engage with sound in a way that promotes focus, relaxation, or emotional regulation. The inclusion of personal spatial audio within this therapy brings an even deeper level of immersion, creating 3D sound environments that can enhance the therapeutic benefits. By tailoring the sound experience to the listener's preferences and needs, Sonical’s CosmOS technology can unlock the potential for greater emotional well-being, helping users to achieve a more profound sense of calm, concentration, or stimulation, depending on their goals.

Rian Zoll-Khan echoed this enthusiasm, emphasising the impact of bringing music industry expertise to Sonical’s vision: "Audio technology has always played a vital role in shaping how music is created and experienced. With CosmOS, Sonical is opening up an entirely new world of possibilities for both artists and listeners. By connecting the music industry with this innovative platform, we can help bridge the gap between creativity and technology, empowering artists to engage with audiences in unprecedented ways. I'm excited to be part of this journey and to help Sonical bring its vision to the forefront of the industry."

The appointment of Watson and Zoll-Khan reinforces Sonical’s commitment to fostering innovation at the intersection of music and technology, ensuring that its solutions are designed with both creators and listeners in mind. With their expertise and connections, Sonical is positioned to make CosmOS the go-to platform for the next generation of smart audio experiences.

Gary Spittle, CEO of Sonical, expressed his excitement about the partnership: "We are extremely pleased to be working with the music industry powerhouse Headliner to bring Sonical's technology to more audio professionals. Paul and Rian's strategic insights and extensive network in the audio ecosystem will be instrumental in accelerating our mission to create a more immersive, personalised audio experience. Their appointment as strategic advisors represents a significant milestone for Sonical, providing us with unparalleled guidance as we continue to push the boundaries of what's possible with our ears."

**About Sonical:**
Sonical is the leading provider of embedded platforms for audio products and is the team of experts behind CosmOS, the operating system for the ear, enabling Headphone 3.0 products.   CosmOS makes products ‘appable’ giving the user complete control of how they listen to content, hear the world and monitor their health. 

For more information, visit [www.sonical.com](www.sonical.com).
To find out more about Headliner, visit: https://headlinerhub.com/ 

Sonical Appoints Headliner Group's Paul Watson & Rian Zoll-Khan as Strategic Advisors

![LA_Atlantis The Royal_01.jpg](https://res.cloudinary.com/olex/image/upload/v1741695220/LA_Atlantis_The_Royal_01_4b5cac1e66.jpg)

Setting a new benchmark in luxury hospitality, Atlantis The Royal has installed an L-Acoustics professional sound system in its grand lobby, elevating the standard for hotel audio solutions. The installation delivers the same audio excellence found in the world's most prestigious concert venues while meeting the distinct requirements of this architectural marvel.

**Where Architecture Meets Acoustic Excellence**

The grand lobby of Atlantis The Royal presents an awe-inspiring first impression: an expansive space spanning 80 meters, with soaring 20-meter ceilings and dramatic floor-to-ceiling glass walls. This impressive architecture created a unique challenge – to deliver concert hall audio quality while preserving the visual sophistication of one of Dubai's most striking interior spaces.

"The brief called for an audio system that could meet the highest professional standards while respecting the lobby's dramatic architecture," explains Huw Godfrey, Head of System Integration at Creative Technology Middle East (CTME). "We designed a discrete solution that delivers exceptional versatility – providing both refined background music and concert-quality live performances without compromise – even in a space defined by soaring glass walls and reflective surfaces."

**Invisible Integration, Impeccable Performance**

RAL custom-coloured L-Acoustics X Series and S Series speakers blend seamlessly into the architectural elements while delivering uniform coverage across multiple levels. The system transforms effortlessly from providing subtle ambiance during daytime hours to powering vibrant evening performances – all while remaining virtually invisible to guests.

Danny Lord, Senior Project Manager at CTME, emphasises the guest experience: "We've created an audio environment that enhances the space, complementing the venue's architectural magnificence while delivering exceptional sound quality."

**Technical Excellence Behind the Scenes**

"L-Acoustics was chosen for its ability to seamlessly connect to the existing Q-SYS infrastructure, provide custom RAL colour options, and deliver a sleek design that could be invisibly integrated into the space," continues Danny Lord, Senior Project Manager at CTME.

The installation takes advantage of L-Acoustics' most architecturally refined products. The ultra-slim Syva colinear arrays, measuring just 170mm wide, integrate perfectly into architectural columns and wall edges, while compact Soka speakers disappear into the structure's design elements. Fourteen 5XT coaxial enclosures are cleverly concealed within the wall moldings at height, providing precise coverage to the upper levels of the space. This carefully positioned array of speakers ensures consistent, high-quality sound throughout the expansive lobby. The system is completed by four SB10i and six Syva Low subwoofers for rich, deep low-end frequencies, with four LA2Xi and two LA4X amplified controllers providing power and two Auvitran AVBx3 audio networking devices ensuring seamless integration and control.

The result is a transformative audio experience that demonstrates how professional sound can elevate the luxury hospitality experience. The L-Acoustics solution proves that world-class audio performance can be achieved while maintaining the visual refinement expected in premium spaces.

**About L-Acoustics**
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts. 

Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s most innovative companies.

With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world's largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall. 


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